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BEATLES |
|
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|
STUDIO SESSIONS |
|
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|
< false
start/breakdown |
|
| DATE |
SONG |
|
< stereo/mono |
NOTES or |
|
|
TONY SHERIDAN TAPES |
V |
V |
V source |
LEWISOHN "RS" pg. |
|
| Jun. 22-23, 1961 |
My Bonnie (German intro) |
|
S/M |
BEAR |
|
|
| Jun. 22-23, 1961 |
My Bonnie (English intro) |
|
S/M |
BEAR |
|
|
| Jun. 22-23, 1961 |
My Bonnie (without intro) |
|
S/M |
BEAR |
|
|
| Jun. 22-23, 1961 |
The Saints |
|
S/M |
BEAR |
|
|
| Jun. 22-23, 1961 |
Cry For A Shadow |
|
S/M |
BEAR |
|
|
| Jun. 22-23, 1961 |
Why |
|
S/M |
BEAR |
|
|
| Jun. 24, 1961 |
Nobody's Child |
|
S/M |
BEAR |
|
|
| Jun. 24, 1961 |
Ain't She Sweet |
|
S/M |
BEAR |
|
|
| Jun. 24, 1961 |
Take Out Some Insurance On Me Baby |
|
S/M |
BEAR |
|
|
| Jun. 22-23, 1961 |
Swanee River (with intro) this is NOT The Beatles |
|
S/M |
BEAR |
|
|
| Jun. 22-23, 1961 |
Swanee River (without intro) this is NOT The Beatles |
|
S/M |
BEAR |
|
|
| ? |
Ain't She Sweet (acetate?) |
|
M |
ACEC |
|
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|
DECCA AUDITION |
|
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|
| Jan. 1, 1962 |
Like Dreamers Do |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
Money (That's What I Want) |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
Till There Was You |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
The Sheik Of Araby |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
To Know Her Is To Love Her |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
Take Good Care Of My Baby |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
Memphis, Tennessee |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
Sure To Fall (In Love With You) |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
Hello Little Girl |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
Three Cool Cats |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
Crying, Waiting, Hoping |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
Love of The Loved |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
September in the Rain |
|
M |
DECCA |
|
|
| Jan. 1, 1962 |
Besame Mucho |
|
M |
DECCA |
|
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|
| Jan. 1, 1962 |
Searchin' |
|
M |
DECCA |
|
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|
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|
|
TONY SHERIDAN TAPES pt. 2 |
|
|
|
|
| May 24, 1962 |
Sweet Georgia Brown |
|
S/M |
BEAR |
|
|
| January 3, 1964 |
Sweet Georgia Brown (new lyrics) |
|
S/M |
BEAR |
|
|
|
|
|
|
|
|
|
Bonus POSTUMOUS MIXES |
|
|
|
|
|
| 1964? |
Sweet Georgia Brown (US version) |
|
M |
BEAR |
|
|
| 1964? |
Take Out Some Insurance On Me Baby (US evrsion) |
|
M |
BEAR |
|
|
| 1964? |
Ain't She Sweet (US version) |
|
M |
BEAR |
|
|
| 1964? |
Nobody's Child (US version) |
|
M |
BEAR |
|
|
| 1968? |
My Bonnie (medley version) |
|
S/M |
BEAR |
|
|
| 1968? |
The Saints (medley version) |
|
S/M |
BEAR |
|
|
| 1970? |
Cry For A Shadow (medley version 1) |
|
S/M |
BEAR |
|
|
| 1970? |
Cry For A Shadow (medley version 2) |
|
S/M |
BEAR |
|
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| |
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|
FIRST E.M.I. SESSIONS |
|
|
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|
|
| Jun. 6, 1962 |
E47052 |
|
|
|
|
|
| June 6?, 1962 |
Besame Mucho (take ?) original mix with Pete Best |
|
M |
ULT1, ASES |
|
|
|
P.S. I Love You |
|
|
|
|
|
|
Ask Me Why |
|
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|
|
| June 6?, 1962 |
Love Me Do (take ?) original version with Pete Best
"Anthology 1" mix |
|
M |
ANT1 |
|
|
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|
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|
|
| September 4,
1962 |
E47776
(E47730?) |
|
|
|
|
|
| September 4,
1962 |
How Do You Do It (take 2) original mix |
|
M |
ULT1, ASES |
|
|
| September 4,
1962 |
Love Me Do (take 1?) single version Ringo drums |
|
M |
PM1 |
|
|
|
|
|
|
|
|
|
| September 11,
1962 |
E47852 |
|
|
|
|
|
| September 11,
1962 |
P.S. I Love You (take 10) Andy White drums |
|
M |
PPM |
|
|
| 1995? |
Please Please Me (take ?) original version "Anthology
1" mix Andy White drums |
|
M |
ANT1 |
|
|
| September 11,
1962 |
Love Me Do (take 18) album version Andy White drums |
|
M |
PPM |
|
|
|
|
|
|
|
|
|
|
(fake) STEREO MIXING TL14063 |
|
|
|
|
|
| February 25,
1963 |
P.S. I Love You (take 10) Andy White drums |
|
S |
PPM |
|
|
| February 25,
1963 |
Love Me Do (take 18) album version Andy White drums |
|
S |
PPM |
|
|
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|
|
|
|
| November 26,
1962 |
E48382 |
|
|
|
|
| November 30,
1962 |
Please Please Me (takes 16,17,18 edit) remake with correct
lyric |
|
M |
PM1 |
|
|
| November 30,
1962 |
Ask Me Why (take 6) |
|
M |
PM1 |
|
|
|
Tip Of My Tongue (Barrett notes do not list this) |
|
|
|
|
|
|
|
|
|
|
|
STEREO MIXING TL14207 |
|
|
|
|
| February 25,
1963 |
Please Please Me (take ?) remake with lyric mistake |
|
S |
PPM |
|
|
| February 25,
1963 |
Ask Me Why (take 6) |
|
S |
PPM |
|
|
|
|
|
|
|
|
|
|
Bonus POSTUMOUS MIXES |
|
|
|
|
|
| June 4, 1905 |
Besame Mucho (take ?) "Sessions"/"Anthology
1" mix |
|
M |
SESS, ANT1 |
|
|
| June 4, 1905 |
How Do You Do It (take 2) "Sessions"/"Anthology
1" mix |
|
M |
SESS, ANT1 |
|
|
|
|
|
|
|
|
| ¶ |
|
|
|
|
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|
|
|
"PLEASE PLEASE ME" SESSION |
|
|
|
|
|
E48875 |
|
|
|
|
| Feb. 11, 1963 |
There's A Place (take 1) |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
There's A Place (take 2) |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
There's A Place (take 3) |
BD |
S |
UC2 |
|
|
| Feb. 11, 1963 |
There's A Place (take 4) |
|
S |
UC2 |
|
|
|
sulpy mentions a riff before take five - see "...please
please me" pg 28 "910" |
|
|
|
|
| Feb. 11, 1963 |
There's A Place (take 5) |
BD |
S |
UC2 |
|
|
| Feb. 11, 1963 |
There's A Place (take 6) |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
There's A Place (take 7) |
BD |
S |
UC2 |
|
|
| Feb. 11, 1963 |
There's A Place (take 8) |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
There's A Place (take 9) |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
There's A Place (take 10) |
|
S |
UC2 |
|
|
|
|
|
|
|
|
| Feb. 11, 1963 |
I Saw Her Standing There (take 1) called "Seventeen" |
|
S |
UC2, ARVS |
need ARVS for announcement |
|
| Feb. 11, 1963 |
I Saw Her Standing There (take 2) |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
I Saw Her Standing There (take 3) |
EP |
S |
UC2 |
|
|
| Feb. 11, 1963 |
I Saw Her Standing There (take 4) |
EP |
S |
UC2 |
|
|
| Feb. 11, 1963 |
I Saw Her Standing There (take 5) |
EP |
S |
UC2 |
|
|
| Feb. 11, 1963 |
I Saw Her Standing There (take 6) |
BD |
S |
UC2 |
|
|
| Feb. 11, 1963 |
I Saw Her Standing There (take 7) |
BD |
S |
UC2 |
|
|
| Feb. 11, 1963 |
I Saw Her Standing There (take 8) |
BD |
S |
UC2 |
|
|
| Feb. 11, 1963 |
I Saw Her Standing There (take 9) |
|
S |
UC2 |
|
|
|
|
|
|
|
|
|
E48876 |
|
|
|
|
| Feb. 11, 1963 |
Do You Want To Know A Secret (take 1-6) |
|
|
|
|
| Feb. 11, 1963 |
A Taste Of Honey (take 1-5) |
|
|
|
|
|
|
|
|
|
|
|
E48877 |
|
|
|
|
| Feb. 11, 1963 |
Do You Want To Know A Secret (take 7) SI onto take 6 |
|
S |
UC2, UNS7, NFS |
|
|
| Feb. 11, 1963 |
Do You Want To Know A Secret (take 8) SI onto take 6 |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
A Taste Of Honey (take 6) SI onto take 5 |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
A Taste Of Honey (take 7) SI onto take 5 |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
There's A Place (take 11) SI onto take 10 |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
There's A Place (take 12) SI onto take 10 |
BD |
S |
UC2 |
|
|
| Feb. 11, 1963 |
There's A Place (take 13) SI onto take 10 |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
I Saw Her Standing There (take 10) SI onto take 9 |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
I Saw Her Standing There (take 11) SI onto take 1 |
BD |
S |
UC2 |
|
|
| Feb. 11, 1963 |
I Saw Her Standing There (take 12) SI onto take 1 |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
Misery (take 1) |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
Misery (take 2) |
BD |
S |
UC2 |
|
|
| Feb. 11, 1963 |
Misery (take 3) |
BD |
S |
UC2 |
|
|
| Feb. 11, 1963 |
Misery (take 4) |
BD |
S |
UC2 |
|
|
| Feb. 11, 1963 |
Misery (take 5) |
BD |
S |
UC2 |
|
|
| Feb. 11, 1963 |
Misery (take 6) |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
Misery (take 7) |
|
S |
UC2 |
|
|
| Feb. 11, 1963 |
Misery (take 8) |
BD |
S |
UC2 |
|
|
|
Misery (take 9) >>>DOES IT EXIST
ON THIS REEL |
|
|
|
|
|
|
|
|
|
|
|
E48878 |
|
|
|
|
|
Misery (take 10-11) |
|
|
|
|
|
Hold Me Tight (takes 1-13) original version |
|
|
|
|
|
Anna (take 1-3) |
|
|
|
|
|
Boys (take 1) |
|
|
|
|
|
Chains (take 1-4) |
|
|
|
|
|
Baby It's You (take 1-3) |
|
|
|
|
|
|
|
|
|
|
|
E48879 |
|
|
|
|
| Feb. 25, 1963 |
Twist And Shout (take 1) |
|
M |
PPM |
|
|
|
Twist And Shout (take2) |
|
|
|
|
|
|
|
|
|
|
|
E48909 MIX of E48878 |
|
|
|
|
| Feb. 20, 25, 1963 |
Misery (take 16) SI onto take 11 |
|
M |
PPM |
maybe put on D4 |
|
| |
|
|
|
|
|
|
E48978 MIXES of E48878 |
|
|
|
|
| Feb. 25, 1963 |
Anna (take 4) |
|
M |
PPM |
|
|
| Feb. 25, 1963 |
Boys (take 2) |
|
M |
PPM |
|
|
| Feb. 25, 1963 |
Chains (take 1) |
|
M |
PPM |
|
|
| Feb. 20, 25, 1963 |
Baby It's You
(take 5) SI onto take 3 |
|
M |
PPM |
|
|
| Feb. 25, 1963 |
Do You Want To Know A Secret (take 8) |
|
M |
PPM |
|
|
|
|
|
|
|
|
|
E48979 MONO MIXES |
|
|
|
|
| Feb. 25, 1963 |
There's A Place (take 13) |
|
M |
PPM |
|
|
| Feb. 25, 1963 |
I Saw Her Standing There (take 9, 12 edit) |
|
M |
PPM |
|
|
| Feb. 25, 1963 |
A Taste Of Honey (take 7) |
|
M |
PPM |
|
|
|
|
|
|
|
|
|
STEREO MIXES |
|
|
|
|
| Feb. 25, 1963 |
There's A Place (take 13) |
|
S |
PPM, EXP |
|
|
| Feb. 25, 1963 |
I Saw Her Standing There (take 9, 12 edit) |
|
S |
PPM, EXP |
|
|
| Feb. 25, 1963 |
Twist And Shout (take 1) |
|
S |
PPM, EXP |
|
|
| Feb. 25, 1963 |
A Taste Of Honey (take 7) |
|
S |
PPM, EXP |
|
|
| November 30,
1962 |
Ask Me Why (take 6) |
|
M |
PM1 |
16, 17, 23, 24, 28, 32 |
|
| November 30,
1962 |
Please Please Me (takes 16,17,18 edit) remake with correct
lyric |
|
M |
PM1 |
|
|
|
(fake) STEREO MIXING TL14063 |
|
|
|
|
|
| February 25,
1963 |
Love Me Do (take 18) album version Andy White drums |
|
S |
PPM |
|
|
| February 25,
1963 |
P.S. I Love You (take 10) Andy White drums |
|
S |
PPM |
|
|
|
|
|
|
|
|
|
? |
|
|
|
|
| Feb. 25, 1963 |
Anna (take 3) |
|
S |
PPM, EXP |
|
|
| Feb. 25, 1963 |
Boys (take 1) |
|
S |
PPM, EXP |
|
|
| Feb. 25, 1963 |
Chains (take 1) |
|
S |
PPM, EXP |
|
|
| Feb. 25, 1963 |
Misery (take 16) SI onto take 11 |
|
S |
PPM, EXP |
|
|
| Feb. 25, 1963 |
Baby It's You (take 5) SI onto take 3 |
|
S |
PPM, EXP |
|
|
| Feb. 25, 1963 |
Do You Want To Know A Secret (take 8) |
|
S |
PPM, EXP |
|
|
|
|
|
|
|
|
|
Bonus POSTUMOUS MIXES |
|
|
|
|
| 1982 |
I Saw Her Standing There (take 6) Abbey Road Show |
|
S |
ARVS |
|
|
| 1995 |
I Saw Her Standing There (takes 7 & 8)
"Anthology" mixes |
|
M? |
ANT1 |
|
|
| 1995 |
I Saw Her Standing There (take 9) "Anthology" mix |
|
S |
FREE |
|
|
| 1982 |
I Saw Her Standing There (take 11) Abbey Road Show |
|
S |
ARVS |
|
|
| 1982 |
I Saw Her Standing There (take 9, 12 edit) Abbey Road Show |
|
S |
ARVS |
|
|
|
|
|
|
|
|
| ¶ |
|
|
|
|
|
|
|
|
|
|
|
| March 5, 1963 |
E49015 |
|
|
|
Need Tobe Milo
"Studio Sessions" for superior quality |
|
| Mar. 5, 1963 |
From Me To You (take 1) |
BD |
S |
UC2 |
|
|
| Mar. 5, 1963 |
From Me To You (take 2) |
|
S |
UC2 |
|
|
| Mar. 5, 1963 |
From Me To You (take 3) |
|
S |
UC2 |
|
|
| Mar. 5, 1963 |
From Me To You (take 4) |
|
S |
UC2 |
|
|
| Mar. 5, 1963 |
From Me To You (take 5) |
|
S |
UC2 |
|
|
| Mar. 5, 1963 |
From Me To You (take 6) |
BD |
S |
UC2 |
|
|
| Mar. 5, 1963 |
From Me To You (take 7) |
|
S |
UC2 |
|
|
|
|
|
|
|
|
| Mar. 5, 1963 |
Thank You Girl (take 1) |
|
S |
UC2 |
|
|
| Mar. 5, 1963 |
Thank You Girl (take 2) |
BD |
S |
UC2 |
|
|
| Mar. 5, 1963 |
Thank You Girl (take 3) |
BD |
S |
UC2 |
|
|
| Mar. 5, 1963 |
Thank You Girl (take 4) |
|
S |
UC2 |
|
|
| Mar. 5, 1963 |
Thank You Girl (take 5) |
|
S |
UC2 |
|
|
| Mar. 5, 1963 |
Thank You Girl (take 6) |
|
S |
UC2 |
|
|
|
|
|
|
|
|
| Mar. 5, 1963 |
Thank You Girl (take 7) |
EP |
S |
UC2 |
|
|
| Mar. 5, 1963 |
Thank You Girl (take 8) |
EP |
S |
UC2 |
|
|
| Mar. 5, 1963 |
Thank You Girl (take 9) |
EP |
S |
UC2 |
|
|
| Mar. 5, 1963 |
Thank You Girl (take 10) |
EP |
S |
UC2 |
|
|
| Mar. 5, 1963 |
Thank You Girl (take 11) |
EP |
S |
UC2 |
|
|
| Mar. 5, 1963 |
Thank You Girl (take 12) |
EP |
S |
UC2 |
|
|
| Mar. 5, 1963 |
Thank You Girl (take 13) |
EP |
S |
UC2 |
|
|
|
|
|
|
|
|
| Mar. 5, 1963 |
From Me To You (take 8) "edit piece 1" |
EP |
S |
UC2 |
|
|
| Mar. 5, 1963 |
From Me To You (take 9) "edit piece 2" |
EP |
S |
UC2 |
|
|
| Mar. 5, 1963 |
From Me To You (take 10) |
EP |
S |
UC2 |
|
|
| Mar. 5, 1963 |
From Me To You (take 11) "edit piece 4" |
EP |
S |
UC2 |
|
|
| Mar. 5, 1963 |
From Me To You (take 12) "5" |
EP |
S |
UC2 |
|
|
| Mar. 5, 1963 |
From Me To You (take 13) "edit piece 6" |
EP |
S |
UC2 |
|
|
|
E49016 |
|
|
|
|
| Mar. 5, 1963 |
The One After 909 (take 1) |
BD |
S |
UC2 |
|
|
| Mar. 5, 1963 |
The One After 909 (take 2) |
|
S |
UC2 |
|
|
| Mar. 5, 1963 |
The One After 909 (take 3) |
BD |
S |
UC2 |
|
|
| Mar. 5, 1963 |
The One After 909 (take 4) |
BD |
S |
UC2 |
|
|
| Mar. 5, 1963 |
The One After 909 (take 5) |
EP |
S |
UC2 |
|
|
|
E48989 MONO MIXING |
|
|
|
|
| Mar. 13, 1963 |
Thank
You Girl (takes 6, 13, 17, 20, 21, 23
edit) |
|
M |
PM1 |
|
|
|
E49088 MONO MIXING |
|
|
|
|
| Mar. 14, 1963 |
From Me To You (takes ? edit) |
|
M |
PM1 |
|
|
|
STEREO MIXING |
|
|
|
|
| Mar. 13, 1963 |
Thank
You Girl (takes 6, 13, 17, 20, 21, 23
edit) |
|
S |
2ND, EXP |
|
|
| Mar. 14, 1963 |
From Me To You (takes
? edit) |
|
S |
RED, EXP |
|
|
| |
|
|
|
|
|
|
Bonus POSTUMOUS MIXES |
|
|
|
|
| 1982 |
From
Me To You (takes ? edit) Barrett
alternate mix 1 of final version |
|
S |
TMDM |
|
|
| 1982 |
From Me To You (takes
? edit) Barrett alternate mix 2 of final version |
|
S |
TMDM |
Sulpy does not
acknowledge 2nd mix |
|
| 1982 |
Thank You Girl (takes
6,13,17,20,21,23 edit) Barrett alternate mix 1 of final version |
|
S |
TMDM |
"take 14 with edit
end from take 30" |
|
| 1982 |
Thank You Girl (takes
6,13,17,20,21,23 edit) Barrett alternate mix 2 of final version |
|
S |
TMDM |
"take 30 edited
best" similar to "Second Album" |
|
|
|
|
|
|
|
| ? |
The One After 909 (takes 4, 5 edit) |
|
M |
UNS7 |
see Sulpy note below |
|
| 1982 |
The One
After 909 (take 2) Barrett mono mix |
|
M |
TMDM |
Sulpy does not qualify
these diff mixes |
|
| 1982 |
The One After 909
(takes 4, 5 edit) Barrett mono mix |
|
M |
ASES |
but they are each different |
|
| 1983 |
The
One After 909 (takes 4, 5 edit)
"Sessions" mix, the only stereo mix? |
|
S |
SESS |
|
|
| 1995 |
The One After 909
(3,4,5) excerpts"Anthology” mono mix |
|
M |
ANT1 |
|
|
| 1995 |
The
One After 909 (takes 4, 5 edit)
"Anthology” mono mix |
|
M |
ANT1 |
|
|
|
|
|
|
|
|
| ¶ |
|
|
|
|
|
|
|
|
|
|
|
|
"WITH THE BEATLES" |
|
|
|
|
| Jul. 1,4, 1963 |
E49997-99? |
|
|
|
|
| Jul. 1,4, 1963 |
She Loves You (takes ?
edit) |
|
M |
PM1 |
|
|
| Jul. 1,4, 1963 |
I'll Get You (take ?) "Get You In The End" |
|
M |
PM1 |
|
|
| 1964? |
I'll Get You (take ?) |
|
D |
2ND |
|
|
|
|
|
|
|
|
| Jul. 18, 1963 |
E50165 |
|
|
|
|
| August 21, 1963 |
You Really Got A Hold On Me (takes 7, 10, 11 edit) |
|
M |
WITH |
|
|
|
E50166 |
|
|
|
|
| August 21, 1963 |
Money (takes 6, 7 edit RM7?) |
|
M |
WITH |
|
|
| August 21, 1963 |
Devil In Her Heart (take 6) |
|
M |
WITH |
|
|
|
|
|
|
|
|
| Jul. 30, 1963 |
|
|
|
|
|
|
E50189 |
|
|
|
|
| ? |
Please Mr. Postman (take 3?) off line? |
|
M |
ALF |
|
|
| ? |
Please Mr. Postman (take 7, 9?) off line? |
|
M |
ALF |
|
|
| August 21, 1963 |
Please Mr. Postman (take 9) |
|
M |
WITH |
|
|
|
E50190 |
|
|
|
|
| ? |
It Won't Be Long (take ?) off line? |
|
M |
ALF |
|
|
| ? |
It Won't Be Long (take 17?) off line? |
|
M |
ALF |
|
|
| August 21, 1963 |
It Won't Be Long (take 17, 21 edit) |
|
M |
WITH |
|
|
|
E50191? |
|
|
|
|
| ? |
piano/drum instrumental (off line) could this be
"Untitled Test - G.M. Piano"? |
|
M |
ALF (24) |
Sulpy qualifies the date
placement. |
|
|
E50204 |
|
|
|
|
| August 21, 1963 |
Till There Was You (take 8) remake |
|
M |
WITH |
|
|
| August 21, 1963 |
Roll Over Beethoven (takes 7, 8 edit) |
|
M |
WITH |
|
|
|
E50205 |
|
|
|
|
| August 21, 1963 |
All My Loving (take 14) |
|
M |
WITH |
|
|
|
|
|
|
|
|
| Sep. 11, 1963 |
E50523 |
|
|
|
|
| September 30,
1963 |
All I've Got To Do (take 15) |
|
M |
WITH |
|
|
|
E50524 |
|
|
|
|
| September 30,
1963 |
Not A Second Time (take 9) |
|
M |
WITH |
|
|
|
|
|
|
|
|
| September 12,
1963 |
E50527 |
|
|
|
|
| September 12,
1963 |
Messages to Australia (take 4?) |
|
M |
CORE |
|
|
| 1982? |
Hold Me Tight (take 20a) |
|
S |
M12 |
Upgraded on Tobe Milo
"Studio Sessions" |
|
| 1982? |
Hold Me Tight (take 20b) |
|
S |
M12 |
with potential extra
in-between sound |
|
| 1982? |
Hold Me Tight (take 21) |
|
S |
UC2 |
|
|
| 1982? |
Hold Me Tight (take 22) |
BD |
S |
UC2 |
|
|
| 1982? |
Hold Me Tight (take 23) |
|
S |
UC2 |
|
|
| 1982? |
Hold Me Tight (take 24) |
|
S |
UC2 |
|
|
| 1982? |
Hold Me Tight (take 25) |
|
S |
UC2 |
|
|
| 1982? |
Hold Me Tight (take 26) |
|
S |
UC2 |
|
|
| 1982? |
Hold Me Tight (take 27) |
|
S |
UC2, UNS7 |
|
|
| 1982? |
Hold Me Tight (take 28) |
|
S |
UC2 |
|
|
| 1982? |
Hold Me Tight (take 29) |
|
S |
UC2 |
|
|
|
E50528 |
|
|
|
|
|
| 1982? |
Don't Bother Me (take 10) |
|
S |
UC2 |
|
|
| 1982? |
Don't Bother Me (take 11) |
|
S |
UC2 |
|
|
| 1982? |
Don't Bother Me (take 12) |
|
S |
UC2 |
|
|
| 1982? |
Don't Bother Me (take 13) |
|
S |
UC2 |
|
|
| September 30,
1963 |
Don't Bother Me (take 15) |
|
M |
WITH |
|
|
|
E50528-E50776-E50869 |
|
|
|
|
| October 23,
1963 |
Little Child (takes 21) |
|
M |
WITH |
|
|
|
E50528-E50529-E50506 |
|
|
|
|
| October 23,
1963 |
I Wanna Be Your Man (16) |
|
M |
WITH |
|
|
|
|
|
|
|
|
|
|
MONO MIXING |
|
|
|
|
|
| October 23,
1963 |
Hold Me Tight (take 26,29 edit) |
|
M |
WITH |
|
|
|
|
|
|
|
|
| Oct. 17, 1963 |
E50887 |
|
|
|
|
| ? |
The Beatles Christmas
Record |
|
M |
XMAS |
|
|
|
E50888-89 |
|
|
|
|
| 1995? |
I Want To Hold Your Hand (take 1) |
BD |
M |
ANT |
|
|
| 1995? |
I Want To Hold Your Hand (take 9) |
BD? |
M |
ANT |
|
|
| 1995? |
I Want To Hold Your Hand (take 10?) fragment |
? |
M |
ANT |
|
|
| Nov. 7, 1966 |
I Want To Hold Your Hand (take 17) E62175 |
|
S |
PM1 |
|
|
|
E50889-90 |
|
|
|
|
| 1995? |
This Boy (take 6?) |
|
M |
ANT |
|
|
| 1995? |
This Boy (take 12/13 edit) |
BD |
M |
FREE |
|
|
| 1995? |
This Boy (take 13?) |
BD |
M |
ANT |
|
|
| Nov. 10, 1966? |
This Boy (takes 15, 17 edit?) |
|
S |
PM1 |
|
|
|
|
|
|
|
|
|
MONO MIXING |
|
|
|
|
| October 21,
1963 |
I Want To Hold Your Hand (take 17) |
|
M |
45/MEET |
|
|
| October 21,
1963 |
This Boy (take 15 RM1-RM2 edit) |
|
M |
RARITIES-UK |
|
|
|
|
|
|
|
|
| October 29,
1963 |
STEREO MIXING |
|
|
|
|
|
E509055? |
|
|
|
|
|
It Won't Be Long (take 17,21 edit) |
|
S |
WITH, EXP |
|
|
|
All I've Got To Do (take 15) |
|
S |
WITH, EXP |
|
|
|
All My Loving (take 14) |
|
S |
WITH, EXP |
|
|
|
Don't Bother Me (take 15) |
|
S |
WITH, EXP |
|
|
|
Little Child (takes 21) |
|
S |
WITH, EXP |
|
|
|
Till There Was You (take 8) |
|
S |
WITH, EXP |
|
|
|
Please Mr. Postman (take 9) |
|
S |
WITH, EXP |
|
|
|
Roll Over Beethoven (takes 7,8 edit) |
|
S |
WITH, EXP |
|
|
|
Hold Me Tight (take 26,29 edit) |
|
S |
WITH, EXP |
|
|
|
You Really Got A Hold On Me (takes 7,10,11 edit) |
|
S |
WITH, EXP |
|
|
|
I Wanna Be Your Man (16) |
|
S |
WITH, EXP |
|
|
|
Devil In Her Heart (take 6) |
|
S |
WITH, EXP |
|
|
|
Not A Second Time (take 9) |
|
S |
WITH, EXP |
|
|
| October 30,
1963 |
Money (take 7) |
|
S |
WITH, EXP |
|
|
|
|
|
|
|
|
|
Bonus POSTUMOUS MIXES |
|
|
|
|
| Oct. 29, 1963? |
All My Loving (take 14) with hi-hat intro |
|
S |
GRT, MP3 |
|
|
| June 8, 1965 |
I Want To Hold Your Hand (take 17) |
|
S |
GRT, CASUAL |
|
|
|
E62175? |
|
|
|
|
| Nov. 8, 1966 |
She Loves You (takes ? edit RS1) used on "Collection Of
Oldies" LP |
|
S |
TMDM |
|
|
| Nov. 8, 1966 |
She Loves You (takes
? edit RS2) |
|
S |
TMDM |
|
|
| Nov. 10, 1966? |
This Boy (takes 15, 17
edit RS15) alternate mix might be unedited PM1 version |
|
S |
TMDM |
|
|
|
|
|
|
|
|
| ¶ |
|
|
|
|
|
|
|
|
|
|
|
|
A HARD DAY'S NIGHT |
|
|
|
|
| January 29, 1964 |
E51590 |
|
|
|
|
| January 29, 1964? |
Can't Buy Me
Love (take 1) off-line |
|
M |
MON2 |
38-43, 45-9, 62 |
|
| 1995 |
Can't Buy Me Love
(take 1 & 2 edit) only the lead is from take 1 |
|
M |
ANT1 |
|
|
| 1982? |
Can't Buy Me Love (take 2) |
|
S |
ULT2, UNS7 |
|
|
| 1982? |
Can't Buy Me Love (take 3) |
|
S |
UNS7 |
|
|
| February 26,
1964 |
Can't Buy Me
Love (take 4 RM1) |
|
M |
HDN |
"Beatles Million Sellers" EP? |
|
|
E51592/3 |
|
|
|
|
|
| March 5, 1964 |
Komm, Gib Mir Deine Hand (take 1) |
|
M |
ARVS |
|
|
| March 6, 1964 |
Komm, Gib Mir Deine Hand (take 2) |
|
M |
.com |
|
|
| March 7, 1964 |
Komm, Gib Mir Deine Hand (take 7) |
|
M |
.com |
|
|
| March 8, 1964 |
Komm, Gib Mir Deine Hand (take 9) |
|
M |
.com |
|
|
| March 9, 1964 |
Komm, Gib Mir Deine Hand (take 10) |
|
M |
ARVS |
|
|
| March 10, 1964 |
Komm, Gib Mir Deine Hand (takes 5,7 edit) |
|
M |
PM1 |
38, 42 |
|
| 1995 |
Sie Liebt Dich (take 10) |
EP |
S |
ANT |
|
|
| March 10, 1964 |
Sie Liebt Dich (take
14) |
|
M |
PM1 |
38, 42 |
|
|
|
|
|
|
|
|
| January 29,
1964 |
Komm, Gib Mir Deine Hand (takes 5,7 edit) |
|
M |
45 |
NOTE Sulpy's comments. |
|
| January 29,
1964 |
Sie Liebt Dich (take
14) |
|
M |
45 |
|
|
|
|
|
|
|
|
|
| February 25,
1964 |
E51860 |
|
|
|
|
|
| 1995 |
You Can't Do That (take 6)
|
|
M |
ANT1 |
|
|
| February 26,
1964 |
You Can't Do That
(take 9 RM3) |
|
M |
HDN |
38-40, 43-4, 46-9 |
|
| February 26,
1964 |
You Can't Do That
(take 9 RM2 or 4) |
|
M |
2ND/45 - US |
|
|
|
E51861 |
|
|
|
|
|
| 1995 |
And I Love Her (take 2) |
|
M |
ANT1 |
|
|
|
|
|
|
|
|
|
| February 26,
1964 |
E51861/64/65 |
|
|
|
|
|
| 1995 |
I Should Have Known Better (take 7) announcement only |
|
M |
ANT |
|
|
| 1995 |
I Should
Have Known Better (take 8) fragment |
BD |
M |
ANT |
|
|
| 1995 |
I Should Have Known Better (take 9) announcement only |
|
M |
ANT |
|
|
| 1995 |
I
Should Have Known Better (take 11) fragment |
BD |
M |
ANT |
|
|
| 1995 |
I Should Have Known Better (take 12) announcement only |
|
M |
ANT |
|
|
| March 3, 1964 |
I Should Have
Known Better (take 22) |
|
M |
HDN |
39-41, 45-7 |
|
|
E51866 |
|
|
|
|
|
| 1995 |
And I Love Her (take 11) fragment |
BD |
M |
ANT |
|
|
| 1995 |
And I Love Her (take 12) announcement only |
|
M |
ANT |
|
|
|
|
|
|
|
|
| February 27,
1964 |
E51898 |
|
|
|
|
| June 22, 1964 |
And I Love Her (take 21
RM2) |
|
M |
HDN |
39-41, 45-7, 65 |
|
| March 3, 1964? |
And I Love Her (take 21
RM?) |
|
M |
HDN/45 - US |
|
|
|
E51898/99 |
|
|
|
|
|
| 1995 |
Tell Me Why (take 4) |
BD |
M |
ANT |
|
|
| 1995 |
Tell Me Why (take 5) announcement |
|
M |
ANT |
|
|
| March 3, 1964 |
Tell Me Why (take 8) |
|
M |
HDN |
40-1, 45-7 |
|
| March 3, 1964? |
Tell Me Why (take 8) alternate vocal |
|
M |
CORE, HDN-orig FILM |
|
|
E51900 |
|
|
|
|
| March 3, 1964 |
If I Fell (take 15) |
|
M |
HDN |
40-1, 45-9 |
|
|
|
|
|
|
|
| March 1, 1964 |
E51904 |
|
|
|
|
| March 3, 1964 |
I'm Happy Just To Dance With You (take 4) |
|
M |
HDN |
41, 45-9 |
|
| March 10, 1964 |
Long Tall Sally (take 1) |
|
M |
2ND |
|
|
| March 10, 1964 |
Long Tall Sally (take 1) |
|
S |
2ND, GRT |
|
|
| June 22, 1964 |
Long Tall Sally (take 1) |
|
S |
PM1 |
11, 41-2, 45-6, 48-9, 156, 180 |
|
| ? |
dialogue |
|
? |
LPSC |
|
|
| March 4, 1964 |
I Call Your Name (take 7) |
|
M |
2ND |
|
|
| March 10, 1964 |
I Call Your Name (take 7) |
|
S |
2ND |
|
|
| June 4, 1964 |
I Call Your Name (take 7) |
|
M |
RARITIES-UK |
|
|
| June 22, 1964 |
I Call Your Name (takes 5,7 edit) |
|
S |
PM1 |
41-2, 44-6 |
|
|
|
|
|
|
|
|
STEREO MIXING E51975 |
|
|
|
|
| March 12, 1964 |
Komm, Gib Mir Deine Hand (takes 5,7 edit) |
|
S |
RARITIES-UK |
|
|
| March 12, 1964 |
Sie Liebt Dich (take
14) |
|
S |
RARITIES |
|
|
|
|
|
|
|
|
| April 16, 1964 |
E52399 |
|
|
|
|
| 1982? |
A Hard Day's Night (take 1) incomplete |
|
S |
UC3 |
|
|
| 1982? |
A Hard Day's Night (take 2) |
BD |
S |
ARVS |
|
|
| 1982? |
A Hard Day's Night
(take 3a) I suspect this is actually take 3 |
BD |
S |
ARVS |
|
|
| 1982? |
A Hard Day's Night
(take 3b) I suspect this is actually take 4 |
|
S |
UC3 |
|
|
| 1982? |
A Hard Day's Night
(take 4) I suspect this is
actually take 5 miscalled |
|
S |
UC3 |
|
|
| 1982? |
A Hard Day's Night (take 6) |
BD |
S |
UC3 |
|
|
| 1982? |
A Hard Day's Night (take 7) |
|
S |
UC3 |
|
|
| 1982? |
A Hard Day's Night (take 8) |
BD |
S |
UC3 |
|
|
| 1982? |
A Hard Day's Night
(take 9) incomplete |
|
S |
UC3 |
|
|
|
Does take 5 exist or is there merely some confusion over the
double take 3? |
|
|
|
|
|
|
Also, Lewisohn mentions five complete takes. Which are here. |
|
|
|
|
|
| April 23, 1964 |
A Hard Day's
Night (take 9 RM10) |
|
M |
HDN |
41, 43-9, 55, 62, 193 |
|
|
|
|
|
|
|
|
| June 9, 1964 |
A Hard Day's Night
(take 9) edited extended end for film |
|
M |
HDN-US, MKG, HDG4.1? |
|
|
|
|
|
|
|
| June 9, 1964? |
"A HARD DAY'S NIGHT" Film Production Acetate E52430? |
|
|
|
|
|
A Hard Day's Night (take 9) |
|
M |
HDG3 |
|
|
|
And I Love Her (take 21) |
|
M |
HDG3 |
|
|
|
If I Fell (take 15) |
|
S? |
HDG3 |
|
|
|
|
|
|
|
|
|
| June 1, 1964 |
E52694 |
|
|
|
|
| June 4, 1964 |
Matchbox (take 5) |
|
M |
45-US, RARITIES-UK |
|
| June 22, 1964 |
Matchbox (take 5) |
|
S |
PM1 |
44-6, 55 |
|
| June 4, 1964 |
I'll Cry Instead (takes 6, 8 edit) true long version |
|
M |
HDN-US,45-US |
|
|
| June 4, 1964 |
I'll Cry Instead (takes 6, 8 edit) short version |
|
M |
HDN |
44-7 |
|
| June 4, 1964 |
Slow Down (take 6) |
|
M |
45-US, RARITIES-UK |
|
| June 22, 1964 |
Slow Down (take 6) |
|
S |
PM1 |
44-6 |
|
|
E52695/96 |
|
|
|
|
| 1995? |
I'll Be Back (take 2) |
|
M |
ANT1 |
|
|
| 1995? |
I'll Be Back (take 3) |
|
M |
ANT1 |
|
|
| 1995? |
I'll Be Back (take 12) |
BD |
M |
ANT |
|
|
| 1995? |
I'll Be Back (take 13) |
BD |
M |
ANT |
|
|
| 1995? |
I'll Be Back (take 14) |
BD |
M |
ANT |
|
|
| 1995? |
I'll Be Back (take 15) announcement |
|
M |
ANT |
|
|
| June 22, 1964 |
I'll Be Back (take 16 RM2) |
|
M |
HDN |
44, 46-7 |
|
| June 22, 1964 |
I'll Be Back (take 16 RM3) |
|
M |
65 |
|
|
|
|
|
|
|
|
|
| June 2, 1964 |
E52697 |
|
|
|
|
|
| June 4, 1964 |
Things We Said Today (take 3) |
|
M |
HDN |
44-9 |
|
|
E52698 |
|
|
|
|
|
| June 22, 1964 |
Anytime At All (take 11 RM2) |
|
M |
HDN |
44-7 |
|
| June 22, 1964 |
Anytime At All (take 11 RM3) |
|
M |
NEW |
|
|
|
E52699 |
|
|
|
|
|
| June 22, 1964 |
When I Get Home (take 11 RM2) |
|
M |
HDN |
44-7 |
|
| June 22, 1964 |
When I Get Home (take 11 RM3) |
|
M |
NEW |
|
|
|
|
|
|
|
|
|
| June 3, 1964 |
INTERIM RECORDING |
|
|
|
45 |
|
| 1995? |
No Reply (take 1 demo) |
|
M |
ANT1 |
|
|
| 1995? |
You'll Know What To Do
(demo) |
|
M |
ANT1 |
|
|
| 1995? |
Jimmy Nicole drum rehearsal (brief) |
|
M |
EXP |
|
|
|
|
|
|
|
|
| June 22, 1964 |
STEREO MIXING |
|
|
|
46 |
|
|
And I Love Her (take 21) |
|
S |
HDN, EXP |
|
|
|
When I Get Home (take 11) |
|
S |
HDN, EXP |
|
|
|
Anytime At All (take 11 RS1) |
|
S |
HDN, EXP |
|
|
|
I'll Be Back (take 16) |
|
S |
HDN, EXP |
|
|
|
If I Fell (take 15) |
|
S |
HDN, EXP |
|
|
|
A Hard Day's
Night (take 9 RS1) |
|
S |
HDN, EXP |
|
|
|
I Should Have
Known Better (take 22) |
|
S |
HDN, EXP |
|
|
|
I'm Happy Just To Dance With You (take 4) |
|
S |
HDN, EXP |
|
|
|
Can't Buy Me Love (take 4) |
|
S |
HDN, EXP |
|
|
|
You Can't Do That
(take 9 RS1) |
|
S |
HDN, EXP |
|
|
|
Tell Me Why (take 8) |
|
S |
HDN, EXP |
|
|
|
Things We Said Today (take 3) |
|
S |
HDN, EXP |
|
|
|
I'll Cry Instead (takes 6, 8 edit) |
|
S |
HDN, EXP |
|
|
|
|
|
|
|
|
|
|
Bonus POSTUMOUS MIXES |
|
|
|
|
|
| 1982 |
I'll Cry Instead (takes 6, 8 edit) fake long version |
|
S |
CASUAL |
|
|
| 1980? |
And I Love Her (take 21) with extended end |
|
S |
RARITIES-US |
|
|
| 1995 |
A Hard Day's Night (take
1) |
|
M |
ANT1 |
|
|
| 1982 |
A
Hard Day's Night (take 9) Barrett
alternate mix |
|
S |
ARVS |
|
|
|
|
|
|
|
|
|
| ¶ |
|
|
|
|
|
|
|
|
|
|
|
| July 17, 1964 |
BBC "FROM US TO YOU" SESSION |
|
|
|
|
|
| July 17, 1964 |
From Us To You |
|
M |
PARL, COMP |
All upgraded from tape
source on |
|
| July 17, 1964 |
Kansas City/Hey, Hey, Hey, Hey |
|
M |
PARL, CORE |
Purple Chick
"Complete BBC Sessions Upgraded" |
|
| July 17, 1964 |
Long Tall Sally |
|
M |
PARL, CORE |
|
|
| July 17, 1964 |
If I Fell |
|
M |
PARL, CORE |
|
|
| July 17, 1964 |
Boys |
|
M |
PARL, CORE |
|
|
| July 17, 1964 |
I'm Happy Just To Dance With You (instrumental) |
|
M |
PARL, COMP |
|
|
| July 17, 1964 |
I'm Happy Just To
Dance With You |
|
M |
PARL, AKB |
|
|
| July 17, 1964 |
I Should Have Known Better
|
FS |
M |
PARL, COMP |
|
|
| July 17, 1964 |
I Should Have Known Better (without harmonica) |
|
M |
PARL, COMP |
|
|
| July 17, 1964 |
I Should Have Known Better
|
|
M |
PARL, AKB |
|
|
| July 17, 1964 |
Things We Said Today |
|
M |
PARL, AKB |
|
|
| July 17, 1964 |
A Hard Day's Night |
|
M |
PARL, AKB |
|
|
| July 17, 1964 |
From Us To You |
|
M |
PARL, COMP |
|
|
|
|
|
|
|
|
| ¶ |
|
|
|
|
|
|
|
|
|
|
|
|
BEATLES FOR SALE |
|
|
|
|
| August 11, 1964 |
E53611 |
|
|
|
|
| October 26,
1964 |
Baby's In Black (take 14 RM2) |
|
M |
SALE |
47, 48, 51-3, 62, 84 |
|
|
|
|
|
|
|
| August 14, 1964 |
E53614 |
|
|
|
|
| 1982? |
I'm A Loser (take 1) |
BD |
S |
UC3 |
|
|
| 1982? |
I'm A Loser (take 2) |
|
S |
UC3, UP G |
|
|
| 1982? |
I'm A Loser (take 3) |
|
S |
UC3 |
|
|
| 1982? |
I'm A Loser (take 4) |
BD |
S |
UC3 |
|
|
| 1982? |
I'm A Loser (take 5) |
BD |
S |
UC3 |
|
|
| 1982? |
I'm A Loser (take 6) |
|
S |
UC3 |
|
|
| 1982? |
I'm A Loser (take 7) |
|
S |
UC3 |
|
|
| 1982? |
I'm A Loser (take 8) announcement |
|
S |
UC3 |
|
|
| 1982 |
I'm A Loser (take 8) Barrett mix |
|
S |
TMDM |
|
|
| October 26,
1964 |
I'm A Loser (take 8 RM2) |
|
M |
SALE |
48, 51-3 |
|
| 1995 |
Mr. Moonlight (take 1) announcement |
|
M |
ARVS |
|
|
| 1995 |
Mr. Moonlight (take 1) |
BD |
M |
ANT |
|
|
| 1995 |
Mr. Moonlight (take
2) fragment |
? |
M |
ANT |
|
|
| 1982? |
Mr. Moonlight
(take 4) Barrett mix |
|
S |
TMDM |
|
|
|
E53615 |
|
|
|
|
|
| February 19, 1982? |
Leave My Kitten Alone (take 4) off line |
BD |
M |
MP3 |
|
|
| February 19, 1982? |
Leave My Kitten Alone (take 5) Barrett mix |
|
M |
ASES, UNS2 |
48 |
|
|
|
|
|
|
|
| August 23, 1964 |
HOLLYWOOD BOWL |
|
|
|
|
| August 27, 1964 |
stereo mixing |
|
|
|
|
|
|
|
|
|
|
| September 29,
1964 |
E53964 |
|
|
|
|
| October 26,
1964 |
I Don't Want To Spoil The Party (take 19) |
|
M |
SALE |
49, 51-3 |
|
|
E53965 |
|
|
|
|
| 1995 |
What You're Doing (take 2?) announcement |
|
M |
ANT |
|
|
| 1995 |
What You're Doing (take 5)
|
BD |
M |
ANT |
|
|
|
|
|
|
|
|
| September 30,
1964 |
E53966 |
|
|
|
|
| October 27,
1964 |
Every Little Thing (take 9 RM1?) |
|
M |
SALE |
49, 52, 53 |
|
|
E53967 |
|
|
|
|
| 1982 |
What You're Doing (take
11) |
|
S |
TMDM |
|
|
| 1995 |
No Reply (take 1) |
BD |
M |
ANT |
|
|
| 1995 |
No Reply
(take 2) "Anthology" mix |
|
M |
ANT1 |
|
|
| October 16,
1964 |
No Reply (take 8) E54055 |
|
M |
SALE |
49, 50, 52, 53 |
|
|
E54078/79 |
|
|
|
|
| June 17, 1905 |
Eight Days A Week (takes 1, 2, 4 fragments |
|
M |
ANT1 |
|
|
| June 17, 1905 |
Eight Days A Week (take 5) |
|
M |
ANT1 |
|
|
| October 27,
1964 |
Eight Days A Week (takes 13,15 RM? edit) |
|
M |
SALE |
49, 50, 52, 53 |
|
|
|
|
|
|
|
| October 8, 1964 |
E54090 |
|
|
|
|
| 1982 |
She's A Woman (Take 1) incomplete |
|
M |
ARVS |
|
|
| 1982 |
She's A Woman (Take 2) |
|
S |
UC3 |
|
|
| 1982 |
She's A Woman (Take 3) |
BD |
S |
UC3 |
|
|
| 1982 |
She's A Woman (Take 4) |
BD |
S |
UC3 |
|
|
| 1982 |
She's A Woman (Take 5?) not announced? |
|
S |
UC3 |
|
|
| October 12,
1964 |
She's A Woman (Take 6) |
|
S |
PM1 |
38, 49, 50-52, 62 |
|
| 1982 |
She's A Woman (Take 7) |
|
S |
UC3 |
|
|
| October 12, 1964? |
She's A Woman (Take 6) acetate |
|
M |
ACEC |
|
|
| October 12, 1964? |
She's A Woman (Take 7) acetate |
|
M |
ACEC |
|
|
| October 12,
1964 |
She's A Woman (Take 6 RM1) |
|
M |
RARITIES-UK |
|
|
| October 21,
1964 |
She's A Woman (Take 6 RM2) |
|
M |
65/45 - US |
|
|
| October 12,
1964 |
She's A Woman (Take 6) with count-in |
|
S |
EP box 1991 |
|
|
|
|
|
|
|
|
| October 18, 1964 |
E54294 |
|
|
|
|
| October 26,
1964 |
Kansas City/Hey-Hey-Hey-Hey (take 1 RM1?) |
|
M |
SALE |
50, 51, 53, 167, 172, 180 |
|
| 1995 |
Kansas City/Hey-Hey-Hey-Hey (take 2) |
|
S |
ANT1 |
|
|
| October 27,
1964 |
Mr. Moonlight (takes 4, 8 RM1/2 edit) |
|
M |
SALE |
48, 50, 52-3 |
|
| 1982 |
I Feel Fine (take 1) |
BD |
S |
UC3 |
50-3 |
|
| 1982 |
I Feel Fine (take 2) |
BD |
S |
UC3 |
|
|
| 1982 |
I Feel Fine (take 5) |
|
S |
UC3 |
|
|
|
E54295 |
|
|
|
|
| 1982 |
I Feel Fine (take 6) |
|
S |
UC3 |
|
|
| 1982 |
I Feel Fine (take 7) announcement |
|
S |
UC3 |
|
|
| ? |
I Feel Fine (take 8?) |
FS |
S |
CORE |
|
|
| 1982 |
I Feel Fine (take 9) |
|
S |
UC3 |
|
|
| October 21,
1964 |
I'll Follow The Sun (take 8 RM1) |
|
M |
SALE |
|
|
| October 21,
1964 |
Everybody's Trying To Be My Baby (take 1 RM1) |
|
M |
SALE |
50-3, 62 |
|
|
E54296 |
|
|
|
|
| October 26,
1964 |
Rock and Roll Music (take 1 RM1) |
|
M |
SALE |
50-3 |
|
| October 26,
1964 |
Words Of Love (take 3 RM1) |
|
M |
SALE |
50-3 |
|
|
|
|
|
|
|
| October 21,
1964 |
I Feel Fine (take 9 RM3) |
|
M |
UK-45, OLDIES |
|
|
| October 21,
1964 |
I Feel Fine (take 9 RM4) |
|
M |
US-45,' 65, RED |
|
|
|
|
|
|
|
|
| October 26, 1964 |
E54315 |
|
|
|
|
| October 27,
1964 |
Honey Don't (take 5) |
|
M |
SALE |
51-3, 55 |
|
|
E54316 |
|
|
|
|
| October 27,
1964 |
What You're Doing (take 19) |
|
M |
SALE |
49, 51-3 |
|
| ? |
Christmas Speech (take 1) |
|
M |
XMAS |
|
|
| ? |
Hello Dolly |
|
M |
XMAS |
|
|
| ? |
Paul speech |
|
M |
XMAS |
|
|
| October 26,
1964 |
Another Beatles Christmas Record (take 5) |
|
M |
XMAS |
51 |
|
|
|
|
|
|
|
|
STEREO MIXING |
|
|
|
|
| October 27,
1964 |
Eight Days A Week (takes 13,15 edit) |
|
S |
EXP |
|
|
|
Every Little Thing (take 9) |
|
S |
EXP |
|
|
|
What You're Doing (take 19) |
|
S |
EXP |
|
|
|
Honey Don't (take 5) |
|
S |
EXP |
|
|
|
E52457 |
|
|
|
|
| November 4,
1964 |
I'll Follow The Sun (take 8) |
|
S |
EXP |
|
|
|
Everybody's Trying To Be My Baby (take 1) |
|
S |
EXP |
|
|
|
Rock and Roll Music (take 1) |
|
S |
EXP |
|
|
|
Words Of Love (take 3) |
|
S |
EXP |
|
|
|
Mr. Moonlight (takes 4,8 edit) |
|
S |
EXP |
|
|
|
I Don't Want To Spoil The Party (take 19) |
|
S |
EXP |
|
|
|
I'm A Loser (take 8) |
|
S |
EXP |
|
|
|
Baby's In Black (take 14) |
|
S |
EXP |
|
|
|
No Reply (take 8) |
|
S |
EXP |
|
|
|
I Feel Fine (take 9) |
|
S |
PM1 |
|
|
|
I Feel Fine (take 9) with whisper intro |
|
S |
UK - RED |
|
|
|
|
|
|
|
|
|
Bonus POSTUMOUS MIXES |
|
|
|
|
|
| 1995 |
Mr. Moonlight (take 4) "Anthology" mix |
|
M |
ANT1 |
|
|
| 1983? |
Leave My Kitten Alone (take 5) |
|
S? |
SESS |
|
|
| 1983? |
Leave My Kitten Alone (take 5) same as "Sessions"
with earlier fade |
|
S? |
ANT1 |
|
|
|
|
|
|
|
|
| ¶ |
|
|
|
|
|
|
|
|
|
|
|
|
HELP! |
|
|
|
|
| February 15,
1965 |
|
|
|
|
| ? |
Ticket To Ride (take 2) extended end |
|
S |
URT3 |
|
|
| February 18,
1965 |
Ticket To Ride (take 2 RM1) |
|
M |
HELP |
54-7, 62 |
|
| February 18,
1965 |
Another Girl (take 1) |
|
M |
HELP |
54-6, 62 |
|
| February 18,
1965 |
I Need You (take 5) |
|
M |
HELP |
54-6, 62 |
|
|
CHECK MOVIE MIX ON ELNR (Sulpy claims diff on orig print) |
|
|
|
|
|
|
|
|
|
|
|
| February 16,
1965 |
|
|
|
|
|
| 1982? |
Yes It Is (take 1) |
|
S |
UC3, ELNR |
|
|
| 1982? |
Yes It Is (take 2) |
BD |
S |
UC3, ELNR |
|
|
| 1982? |
Yes It Is (take 3) |
BD |
S |
UC3, ELNR |
|
|
| 1982? |
Yes It Is (take 4) |
BD |
S |
UC3, ELNR |
|
|
| 1982? |
Yes It Is (take 5) |
BD |
S |
UC3, ELNR |
|
|
| 1982? |
Yes It Is (take 6) |
BD |
S |
UC3, ELNR |
|
|
| 1982? |
Yes It Is (take 7) |
BD |
S |
UC3, ELNR |
|
|
| 1982? |
Yes It Is (take 8) |
BD? |
S |
UC3, ELNR |
|
|
| 1982? |
Yes It Is (take 9) not announced? |
|
S |
UC3, ELNR |
|
|
| 1982? |
Yes It Is (take 10) |
BD |
S |
UC3, ELNR |
|
|
| 1982? |
Yes It Is (take 11) not announced? |
BD? |
S |
UC3, ELNR |
|
|
| 1982? |
Yes It Is (take 14) with announcement and rehearsal excerpt |
|
S |
UC3, ELNR |
|
|
| February 18,
1965 |
Yes It Is (take 14 RM1?) "15" SI onto take 14 |
|
M |
ELNR |
54-57 |
|
|
|
|
|
|
|
| February 17,
1965 |
|
|
|
|
|
| February 18,
1965 |
The Night Before (take 2) |
|
M |
HELP |
54-6, 58, 62 |
|
|
CHECK MOVIE MIX ON ELNR (Sulpy claims diff on orig print) |
|
|
|
|
|
| February 18,
1965 |
You Like Me Too Much (take 8) |
|
M |
HELP |
54-6, 62 |
|
|
|
|
|
|
|
| February 18,
1965 |
|
|
|
|
|
| 1995 |
You've Got To Hide Your Love Away (take 1 & 2?) excerpts |
|
S |
ANT1 |
|
|
| 1995 |
You've Got To Hide Your Love Away (take 5) |
|
S |
ANT1 |
|
|
| February 20,
1965 |
You've Got To Hide Your Love Away (take 9) only two full takes |
|
M |
HELP |
55-6, 62 |
|
| February 23,
1965 |
If You've Got Trouble (take 1) full length see
below |
|
S |
UNS2 |
55-6 |
|
| February 20,
1965 |
Tell Me What You See (take 4) |
|
M |
HELP |
55-6, 60 |
|
|
|
|
|
|
|
| February 19,
1965 |
|
|
|
|
|
| February 20, 1965? |
You're Going To Lose That Girl (take 3 RM1?) from film? with
bongos |
|
S |
EXP |
|
|
| February 20,
1965 |
You're Going To Lose That Girl (take 3 RM2) |
|
M |
HELP |
56, 57, 62 |
|
|
|
|
|
|
|
| February 20,
1965 |
|
|
|
|
|
| 1983? |
That Means A Lot (rehearsal?) excerpt |
|
S |
TMDM 13 |
56-7 |
|
| February 20,
1965 |
That Means A Lot (take
1 RM1?) |
|
M |
TMDM 12 |
More Masters has full end. |
|
| February 23,
1965 |
That Means A Lot (take 1 RS1?) see below |
|
S |
TMDM 14 |
|
|
| 1983? |
That Means A Lot (take 1 or 2?) |
|
M? |
UNS2, ASES |
|
|
| 1983? |
That Means A Lot (take 1 or 2?) |
|
S? |
SESS, ANT2 |
|
|
|
UNS2 claims it is take 2. Lewisohn claims no take 2 mix. |
|
|
|
|
|
|
|
|
|
|
| February 20,
1965 |
11 stereo mixes (chronicle) |
|
|
|
|
| February 22,
1965 |
Lewisohn states 11 mixed trax for film (rec sess) |
|
|
|
|
|
|
|
|
|
|
| February 23,
1965 |
STEREO MIXING |
|
|
|
56 |
|
|
Yes It Is (take 14) also on "The Heineken Tape" |
|
S |
PM1, CASUAL |
|
|
| 1987? |
You've Got To Hide Your Love Away (take 9) |
|
S |
HELP |
Sulpy claims CD is diff
than vinyl |
|
| ? |
If You've Got Trouble (take 1) |
|
S |
see above |
|
|
| 1987? |
Tell Me What You See (take 4) |
|
S |
HELP |
|
|
| 1987? |
I Need You (take 5) |
|
S |
HELP |
Sulpy claims CD is diff
than vinyl |
|
| 1987? |
Another Girl (take 1) |
|
S |
HELP |
|
|
| 1987? |
Ticket To Ride (take 2) |
|
S |
HELP |
|
|
| 1987? |
You Like Me Too Much (take 8) |
|
S |
HELP |
|
|
| 1987? |
The Night Before (take 2) |
|
S |
HELP |
Sulpy claims CD is diff
than vinyl |
|
| 1987? |
You're Going To Lose That Girl (take 3 ) |
|
S |
HELP |
|
|
| ? |
That Means A Lot (take 1) |
|
S |
see above |
|
|
|
|
|
|
|
|
| March 15, 1965 |
Ticket To Ride (take 2 RM2) for film |
|
M |
ELNR |
57 |
|
|
|
|
|
|
|
| March 30, 1965 |
That Means A Lot (take 20) |
BD |
S |
TMDM 15 |
|
|
|
That Means A Lot (take 21?) sounds like a recorded over
rehearsal |
|
S |
TMDM 16 |
|
|
|
Is there a take 22? |
|
|
|
|
|
That Means A Lot (take 23) |
BD |
S |
TMDM 17 |
|
|
|
That Means A Lot (take 24) incomplete? |
? |
S |
TMDM 18 |
|
|
|
That Means A Lot ("test") recorded over the end of
take 24? |
|
S |
TMDM 19 |
|
|
|
|
|
|
|
|
| April 13, 1965 |
Help! (take 1) |
BD |
S |
UC3 |
|
|
|
Help! (take 2) |
BD |
S |
UC3 |
|
|
|
Help! (take 3) |
BD |
S |
UC3 |
|
|
|
Help! (take 4) |
|
S |
ARVS, TMDM, ELNR |
|
|
|
Help! (take 5) |
|
S |
UC3 |
|
|
|
Help! (take 6) |
BD |
S |
UC3 |
|
|
|
Help! (take 7) |
|
S |
UC3 |
|
|
|
Help! (take 8) |
BD |
S |
UC3 |
|
|
|
Help! (take 9) |
|
S |
UC3 |
|
|
|
Help! (take 10) |
|
S |
UC3 |
|
|
|
Help! (take 11) |
BD |
S |
UC3 |
|
|
|
Help! (take 12) |
|
S |
UC3 |
|
|
|
Help! (take 12) "13" raw alternate mix |
|
S |
UC3 |
|
|
| April 18, 1965 |
Help! (take 12 RM3) mono mix of stereo take vocal |
|
M |
see acetate below |
|
|
| June 18, 1965 |
Help! (take 12 RM4) alt vox |
|
M |
45, HELP, EXP |
58, 60, 62 |
|
| ? |
Help! (take 12) with count-in |
|
? |
CD3 |
|
|
|
|
|
|
|
|
|
| April? 1965 |
"HELP!"
Film Production 78 rpm acetates |
|
|
|
|
|
|
Another Girl (take 1) |
|
M |
ELNR |
54-6, 62 |
|
|
I Need You (take 5) |
|
M |
ELNR |
54-6, 62 |
|
|
CHECK MOVIE MIX ON ELNR (Sulpy claims diff on orig print) |
|
|
|
|
|
|
Yes It Is (take 14) |
|
M |
ELNR |
54-57 |
|
|
You Like Me Too Much (take 8) |
|
M |
ELNR |
54-6, 62 |
|
|
You've Got To Hide Your Love Away (take 9) |
|
M |
ELNR |
55-6, 62 |
|
| April 18, 1965 |
Help! (take 12 RM3?) |
|
M |
ELNR |
58, 60, 62 |
|
| March 15, 1965 |
Ticket To Ride (take 2 RM2?) |
|
M |
ELNR |
54-7, 62 |
|
|
The Night Before (take 2) |
|
M |
ELNR |
54-6, 58, 62 |
|
|
You're Going Lose That Girl (take 3) |
|
M |
ELNR |
56, 57, 62 |
|
|
CHECK MOVIE MIX ON ELNR (Sulpy claims diff on orig print) |
|
|
|
|
|
| May 10, 1965 |
|
|
|
|
|
|
|
Dizzy Miss Lizzy (take ) oops'd version |
|
M |
HDG3 |
58, 62 |
|
| May 10, 1965 |
Dizzy Miss Lizzy (take 7) |
|
M |
HELP |
|
|
| May 10, 1965 |
Dizzy Miss Lizzy (take 7) |
|
S |
HELP |
|
|
| May 10, 1965 |
Bad Boy (take 4) |
|
M |
ELNR |
58, 86 |
|
| May 10, 1965 |
Bad Boy (take 4) |
|
S |
PM1 |
|
|
|
|
|
|
|
|
| June 14, 1965 |
|
|
|
|
|
| June 14, 1965 |
I've Just Seen A Face (take 6) |
|
M |
HELP |
59, 66, 62 |
|
| 1995 |
I'm Down (take 1) |
|
S |
ANT1 |
|
|
| June 17, 1965 |
I'm Down (take 7) |
|
M |
ELNR |
59, 60, 62, 69 |
|
| 1995 |
Yesterday (take 1) |
|
M |
ANT1 |
|
|
|
Yesterday (take 2) without strings |
|
M |
UP G |
|
|
| June 17, 1965 |
Yesterday (take 2 RM2) |
|
M |
HELP |
59, 60, 62, 67, 70, 77,
103, 120 |
|
|
|
|
|
|
|
| June 15, 1965 |
|
|
|
|
|
| 1995 |
It's Only Love (take 2) |
|
M |
ANT1 |
|
|
| 1995 |
It's Only Love (take 3) |
BD |
M |
ANT1 |
|
|
| June 18, 1965 |
It's Only Love (take 6) |
|
M |
HELP |
60, 62 |
|
|
|
|
|
|
|
| June 17, 1965 |
|
|
|
|
|
| June 18, 1965 |
Act Naturally (take 13) |
|
M |
HELP |
60, 62 |
|
| November 15,
1965 |
Wait (take 4) |
|
M |
SOUL |
60, 68, 69 |
|
| November 15,
1965 |
Wait (take 4) |
|
S |
SOUL |
|
|
|
|
|
|
|
|
| June 18, 1965 |
STEREO MIXING |
|
|
|
60 |
|
| 1987? |
I've Just Seen A Face (take 6) |
|
S |
HELP |
|
|
| April 28, 1976 |
I'm Down (take 7) |
|
S |
PM1 |
|
|
| 1987? |
Yesterday (take 2) |
|
S |
HELP |
|
|
| 1987? |
It's Only Love (take 6) |
|
S |
HELP |
|
|
| 1987? |
Act Naturally (take 13) |
|
S |
HELP |
|
|
| 1987? |
Help! (take 12 RS2) |
|
S |
HELP |
|
|
|
|
|
|
|
|
|
Bonus POSTUMOUS MIXES |
|
|
|
|
| 1995 |
Yes It Is (takes 2,14 edit) the "Anthology" crap |
|
M |
ANT2 |
|
|
| 1982 |
If You've Got Trouble (take 1) full length Barrett mix |
|
S |
ASES |
|
|
| 1983 |
If You've Got Trouble (take 1) edit |
|
S |
SESS |
|
|
| 1995 |
If You've Got Trouble (take 1) full length |
|
S |
ANT2 |
|
|
|
ELNR has what might be 2 (3?) other alt mixes. |
|
|
|
|
| ¶ |
|
|
|
|
|
|
|
|
|
|
|
| August 29, 1965 |
HOLLYWOOD BOWL |
|
|
|
|
| August 30, 1965 |
HOLLYWOOD BOWL |
|
|
|
|
|
|
|
|
|
|
| ¶ |
|
|
|
|
|
|
|
|
|
|
|
|
RUBBER SOUL |
|
|
|
|
| October 12, 1965 |
|
|
|
|
|
| ? |
Run For Your Life (take 1) announcement |
|
S |
UC3 |
|
|
| ? |
studio chat (placement is speculative) possibly from
"Norwegian Wood" sessions |
|
S |
HDG3 |
|
|
| ? |
Run For Your Life (take 5?) with guide vocal - incomplete |
|
M |
AWOA |
|
|
| ? |
Run For Your Life (take 5) possibly fake - incomplete? |
|
M |
HDG3 |
|
|
| November 9,
1965 |
Run For Your Life (take 5 RM1) |
|
M |
SSES |
63, 68, 69 |
|
| 1982 |
Norwegian
Wood (take 1) "This Bird Has Flown" Barrett mix |
|
S |
TMDM, HDG1 |
63 |
|
|
|
|
|
|
|
| October 13, 1965 |
|
|
|
|
|
| October 25,
1965 |
Drive My Car (take 4 RM1) |
|
M |
SSES |
63, 66, 69 |
|
|
|
|
|
|
|
| October 16, 1965 |
|
|
|
|
|
| 1982? |
Day Tripper (take 1) |
BD |
S |
UC3 |
|
|
| 1982? |
Day Tripper (take 2) |
BD |
S |
UC3 |
|
|
| 1982? |
Day Tripper (take 3) |
|
S |
UC3 |
64, 66, 69, 83, 86 |
|
| October 29,
1965 |
Day Tripper (take 3 RM2) |
|
M |
SSES |
|
|
| October 25,
1965 |
If I Needed Someone (take 1 RM1) |
|
M |
SSES |
|
|
|
|
|
|
|
|
| October 18, 1965 |
|
|
|
|
|
| October 21,
1965 |
In My Life (take 3) rough mix excerpt with Hammond organ on
the bridge |
|
M |
SSES |
|
|
| October 25,
1965 |
In My Life (take 3 RM1) |
|
M |
SSES |
64-6, 69 |
|
|
|
|
|
|
|
| October 20, 1965 |
|
|
|
|
|
| 1982? |
We Can Work It Out (take 1) |
|
S |
UC3 |
SEE UPDATE ON REEL PAGE |
|
| 1982? |
We Can Work It Out (take 2) with SI from October 29 |
|
S |
UC3 |
64, 66, 68, 69, 83, 86 |
|
| October 28,
1965 |
We Can Work It Out (take 2 RM1) with announcement and count-in |
|
M |
SSES, REV, AWOA, EXP? |
|
| October 29,
1965 |
We Can Work It Out (take 2 RM2) |
|
M |
SSES |
|
|
|
|
|
|
|
|
| October 21, 1965 |
|
|
|
|
|
| 1982? |
Norwegian Wood (take 2) "This Bird Has Flown"
Barrett mix? |
|
S |
TMDM, AWOA, HDG1 |
|
| ? |
Norwegian Wood (take 3) |
|
S |
MP3 |
|
|
| ? |
Norwegian Wood (take 4 RM1?) oops'd - is this what take 3
sounds like? |
|
M |
EXP |
|
|
| 1982? |
Norwegian Wood (take 4) with announcement, count-in &
false starts |
|
S |
SSES, URT2, UNS7, HDG1 |
|
| October 25,
1965 |
Norwegian Wood (take 4 RM1) |
|
M |
SSES |
65-6, 69 |
|
|
|
|
|
|
|
| October 22, 1965 |
|
|
|
|
|
| October 25,
1965 |
Nowhere Man (take 4) |
|
M |
SOUL |
65-6, 69 |
|
|
|
|
|
|
|
| October 24, 1965 |
|
|
|
|
|
| 1982 |
I'm Looking Through You (take 1) |
|
S |
UNS2, SSES |
65 |
|
|
|
|
|
|
|
| October 26, 1965 |
STEREO MIXING |
|
|
|
|
|
Drive My Car (take 4) |
|
S |
Y&T |
|
|
|
Day Tripper (take 3 RS1) |
|
S |
Y&T, SSES, CASUAL |
|
|
|
In My Life (take 3) |
|
S |
SOUL-US |
|
|
|
If I Needed Someone (take 1) |
|
S |
Y&T |
|
|
|
Norwegian Wood (take 4) |
|
S |
SOUL-US |
|
|
|
Nowhere Man (take 4) |
|
S |
Y&T |
|
|
|
|
|
|
|
|
| October 29, 1965 |
MONO MIXING for "The Music Of Lennon and McCartney" |
|
|
|
|
| October 29,
1965 |
Day Tripper (take 3 RM3) |
|
M |
TAPE |
|
|
| October 29,
1965 |
We Can Work It Out
(take 2 RM3) |
|
M |
TAPE? |
|
|
|
|
|
|
|
|
| November 3, 1965 |
|
|
|
|
|
| November 9,
1965 |
Michelle (take 2 RM1) SI onto take 1 |
|
M |
SOUL-US, SSES |
|
|
| November 15,
1965 |
Michelle (take 2 RM2) SI onto take 1 |
|
M |
SSES |
67-9 |
|
|
|
|
|
|
|
| November 4, 1965 |
|
|
|
|
|
| November 9,
1965 |
What Goes On (take 1 RM1) |
|
M |
SSES |
67-9 |
|
| 1982? |
12-Bar Original (rehearsal) |
|
S |
AWOA, HDG1, SSES |
|
|
| 1982 |
12-Bar Original (take 1) |
BD |
S |
TMDM |
|
|
| 1982 |
12-Bar Original (take 2) |
|
S |
TMDM |
67, 69 |
|
| November 30,
1965 |
12-Bar Original (take 2 RM1) |
|
M |
ASES |
|
|
| November 30,
1965 |
12-Bar Original (take 2 RM1) acetate? |
|
M |
UNS2, ACE |
|
|
|
UNS2 is cleaner but with more surface noise. ACE swirly but
less surface noise. |
|
|
|
|
|
|
|
|
|
|
| November 8, 1965 |
|
|
|
|
|
| ? |
Beatle Speech (take 1) "Think For Yourself"
rehearsals COMPARE UNS7 |
|
M |
UC1 |
67 |
|
| ? |
Think For Yourself (take 1) off-line monitor mix? |
|
M |
EXP |
|
|
| November 9,
1965 |
Think For Yourself (take 1) "Won't Be There With
You" |
|
M |
SOUL |
67-9 |
|
| November 9,
1965 |
The Beatles Third Christmas Record |
|
M |
XMAS |
67, 68 |
|
|
|
|
|
|
|
| November 9, 1965 |
STEREO MIXING |
|
|
|
|
|
Think For Yourself (take 1 RS1) |
|
S |
SOUL-US |
|
|
|
Michelle (take 2 RS1) |
|
S |
SOUL-US |
|
|
|
What Goes On (take 1 RS1) |
|
S |
Y&T |
|
|
|
|
|
|
|
|
| November 10,
1965 |
STEREO MIXING |
|
|
|
|
|
Run For Your Life (take 5) |
|
S |
SOUL-US |
|
|
|
We Can Work It Out (take 2 RS1) |
|
S |
SSES, Y&T |
|
|
|
|
|
|
|
|
| November 10,
1965 |
|
|
|
|
|
| November 11,
1965 |
The Word (take 3 RM1) |
|
M |
SSES |
68, 69 |
|
| 1982 |
I'm Looking Through You (take 4) with announcement , chat,
false starts & no fade |
|
S |
ASES |
|
|
| November 15, 1965? |
I'm Looking Through You (take 4) with false starts |
|
S |
SOUL-US, SSES |
|
|
| November 15,
1965 |
I'm Looking Through You (take 4) |
|
M |
SSES |
67-9 |
|
|
|
|
|
|
|
| November 11,
1965 |
|
|
|
|
|
| November 11,
1965 |
The Word (take 3 RS1) |
|
S |
SOUL-US, SSES |
|
|
| November 15,
1965 |
You Won't See Me (take 2) |
|
M |
SSES |
68, 69 |
|
| ? |
Girl (take 2) backing tracks off-line monitor mix |
|
M |
REV, UC1, SSES, EXP |
|
| ? |
Girl (take 2) vocal/acoustic track - oops'd? |
|
S? |
EXP |
|
|
| November 15,
1965 |
Girl (take 2 RM1) |
|
M |
SSES |
68, 69 |
|
|
|
|
|
|
|
| November 15,
1965 |
STEREO MIXING |
|
|
|
|
| 1987? |
I'm Looking Through You (take 4) probably the same as above
but edited |
|
S |
EXP |
Not sure about these two. |
|
| November 15,
1965 |
You Won't See Me (take 2) |
|
S |
SOUL-US |
|
|
| November 15,
1965 |
Girl (take 2) |
|
S |
SOUL-US |
|
|
| 1987? |
The Word (take 3 RS2) |
|
S |
EXP |
<<< |
|
|
|
|
|
|
|
| November 10,
1966 |
Day Tripper (take 3 RS2) |
|
S |
PM2 |
|
|
| November 10,
1966 |
We Can Work It Out (take 2 RS2) |
|
S |
PM2 |
|
|
|
|
|
|
|
|
|
Bonus POSTUMOUS MIXES |
|
|
|
|
| 1982 |
Norwegian
Wood (take 1) "This Bird Has Flown" alternate Barrett mix |
|
S |
ASES |
|
|
| 1982? |
Norwegian
Wood (take 1) "This Bird Has Flown" alternate Barrett mix? |
|
S |
UNS2 |
|
|
| 1995 |
Norwegian
Wood (take 1) "This Bird Has Flown" |
|
S |
ANT2 |
|
|
| 1982? |
Norwegian Wood (take 2) "This Bird Has Flown"
Barrett mix? |
|
S |
AWOA, HDG1 |
|
|
|
This appears to have different stereo seperation than mix
listed above. |
|
|
|
|
|
| 1977? |
Norwegian Wood (take 4) mock stereo? |
|
S |
LOVE, SSES |
|
|
| 1990 |
Day Tripper (take 3 RS2) TM Century mix with repaired drop-out |
|
S |
HDG4 |
|
|
| 1982 |
I'm Looking Through You (take 1) alternate Barrett mix |
|
S |
SSES |
|
|
| 1983 |
I'm Looking Through You (take 1) "Sessions" &
" Anthology" mix |
|
S |
ANT2 |
|
| 1995 |
12-Bar Original (take 2) heavily edited |
|
S |
ANT2 |
|
|
| 1977 |
Girl (take 2) |
|
S |
LOVE, SSES |
|
|
| 1988 |
In My Life (take 3) |
|
S |
IMAG, SSES |
|
|
|
|
|
|
|
|
| ¶ |
|
|
|
|
|
|
|
|
|
|
|
|
REVOLVER |
|
|
|
|
| April 6, 1966 |
E59734 |
|
|
|
|
| 1995 |
Tomorrow Never Knows (take 1) "Mark 1" |
|
S |
ANT2 |
|
|
| April 27, 1966 |
Tomorrow Never Knows (take 3 RM8) |
|
M |
REVrG |
|
|
| June 6, 1966 |
Tomorrow Never Knows (take 3 RM11) matrix XEX 606-1 |
|
M |
TMDM, REVG |
70, 72, 76-8, 82, 84, 138 |
|
|
|
|
|
|
|
| April 7, 1966 |
|
|
|
|
|
| 1995 |
Got To get You Into My Life (take 5) alternate mix brief
excerpt |
BD? |
M |
ANT |
|
|
| 1995 |
Got To get You Into My Life (take 5) |
|
S |
ANT2 |
|
|
|
|
|
|
|
|
| April 8, 1966 |
|
|
|
|
|
| June 20, 1966 |
Got To get You Into My Life (take 9 RM8) SI onto take 8 |
|
M |
REVrG |
72, 76, 79, 83, 84 |
|
|
|
|
|
|
|
| April 11, 1966 |
|
|
|
|
|
| May 16, 1966 |
Love To You (take 7 RM5) SI onto take 6 edits RM1-3
"Granny Smith" |
|
M |
REVrG |
72, 73, 78, 81, 84 |
|
|
|
|
|
|
|
| April 13, 1966 |
|
|
|
|
|
| 1982? |
Paperback Writer (take 1) |
BD |
S |
UC3 |
|
|
| 1982? |
Paperback Writer (take 2) |
|
S |
UC3 |
|
|
| April 14, 1966 |
Paperback Writer (take 2 RM2) |
|
M |
REVrG |
73, 74, 79, 83-4, 86 |
|
|
|
|
|
|
|
| April 14, 1966 |
|
|
|
|
|
| April 16, 1966 |
Rain (take 7 RM3) SI onto take 5 |
|
M |
REVrG |
74, 75, 79, 83, 194 |
|
|
Rain (backwards reversed) |
|
M |
PM2 |
|
|
|
|
|
|
|
|
| April 17, 1966 |
|
|
|
|
|
| May 12, 1966 |
Doctor Robert (take 7 RM4)
|
|
M |
REVG |
75, 78, 80, 84 |
|
|
|
|
|
|
|
| April 20, 1966 |
|
|
|
|
|
| 1995 |
And Your Bird Can Sing (take 2) oops'd? |
|
M? |
REVG, UP G |
|
|
| 1995 |
And Your Bird Can Sing (take 2) |
|
S |
ANT2 |
|
|
|
|
|
|
|
|
| April 21, 1966 |
|
|
|
|
|
| 1995 |
Taxman (take 11) |
|
S |
ANT2 |
|
|
| June 21, 1966 |
Taxman (take 12) |
|
M |
REVrG |
75-8, 84, 156 |
|
|
|
|
|
|
|
| April 26, 1966 |
|
|
|
|
|
| May 12, 1966 |
And Your Bird Can Sing (takes 10/6 edit RM7/8 edit) US |
|
M |
REVG |
75, 77-8, 80, 82, 84 |
|
| June 6,8, 1966 |
And Your Bird Can Sing (takes 10/4 edit RM9/10 edit) UK |
|
M |
REVrG |
|
|
|
Instrumental endings are from different takes. |
|
|
|
|
|
|
|
|
|
|
| April 27, 1966 |
|
|
|
|
|
| May 12, 1966 |
I'm Only Sleeping
(take 13 RM5) |
|
M |
REVG |
77-8, 80, 82, 84, 160 |
|
| June 6, 1966 |
I'm Only Sleeping
(take 13 RM6?) |
|
M |
REVrG, CASUAL |
|
|
|
|
|
|
|
|
| April 28, 1966 |
|
|
|
|
|
| 1995 |
Eleanor Rigby (take 14) string only |
|
S |
ANT2 |
|
|
| June 22, 1966 |
Eleanor Rigby (take 15 RM5) |
|
M |
REVrG |
77, 82, 84-5 |
|
|
|
|
|
|
|
| April 29, 1966 |
|
|
|
|
|
| 1995 |
I'm Only Sleeping (rehearsal) excerpt |
|
M |
ANT2 |
|
|
| 1995 |
I'm Only Sleeping (take 1)
|
|
M |
ANT2 |
|
|
|
|
|
|
|
|
| May 9, 1966 |
|
|
|
|
|
| ? |
For No One (take 1) off-line |
BD? |
M |
REVG |
|
|
| ? |
For No One (take 2) off-line |
BD? |
M |
REVG |
|
|
|
|
|
|
|
|
| May 16, 1966 |
|
|
|
|
|
| ? |
For No One (take 10) off-line |
|
M |
REVG |
|
|
| ? |
For No One (take 10) off-line |
|
M |
REVG |
|
|
| ? |
For No One (take 10) off-line |
|
M |
REVG |
|
|
| ? |
For No One (take 10) off-line composite mix |
|
M |
REVG |
|
|
|
|
|
|
|
|
| May 19, 1966 |
|
|
|
|
|
| ? |
For No One (take 14) off-line |
|
M |
REVG |
|
|
| ? |
For No One (take 14) off-line composite mix |
|
M |
REVG |
|
|
| June 21, 1966 |
For No One (take 14 RM8) |
|
M |
REVR |
78-9, 82, 84 |
|
|
|
|
|
|
|
| May 26, 1966 |
|
|
|
|
|
| June 3, 1966 |
Yellow Submarine (take 5 RM5) |
|
M |
REVrG |
80-2, 84-5, 112, 164, 180 |
|
| 1995 |
Yellow Submarine (take 5) additional SI onto take 5 |
|
S |
REAL |
|
|
|
|
|
|
|
|
| June 2, 1966 |
|
|
|
|
|
| June 3, 1966 |
I Want To Tell You (take 4 RM1) "Laston's Surpurb"
or "I Don't Know" |
|
M |
REVrG |
81-2, 84 |
|
|
|
|
|
|
|
| June 8, 1966 |
|
|
|
|
|
| June 22, 1966 |
Good Day Sunshine (take 1 RM7) |
|
M |
REVrG |
82-4 |
|
|
|
|
|
|
|
| June 16, 1966 |
|
|
|
|
|
| 1995 |
Here,
There And Everywhere (take 7/13 edit) |
|
S |
REAL |
|
|
| June 17, 1966? |
Here, There And Everywhere (take 13 reduction into take 14) SI
onto take 14 |
|
M |
REVG |
|
|
| June 17, 1966? |
Here, There And Everywhere (take 13 reduction into take 14) SI
onto take 14 |
|
M |
REVG |
|
|
| June 17, 1966? |
Here, There And Everywhere (take 13 reduction into take 14) SI
onto take 14 |
|
M |
REVG |
|
|
| June 17, 1966? |
Here, There And Everywhere (take 13 reduction into take 14) SI
onto take 14 |
|
M |
REVG |
|
|
|
Here, There And Everywhere (take 14) bootleg composite mix |
|
M |
REVG |
|
|
| June 21, 1966 |
Here, There And Everywhere (take 14 RM3) |
|
M |
REVrG |
83-4 |
|
|
|
|
|
|
|
| June 21, 1966 |
|
|
|
|
|
| June 22, 1966 |
She Said, She Said (take 4 RM4) |
|
M |
REVrG |
84 |
|
|
|
|
|
|
|
| May 20, 1966 |
STEREO MIXING |
|
|
|
80 |
|
|
And Your Bird Can Sing (takes 10/6 edit RS1?) US |
|
S |
Y&T |
|
|
|
And Your Bird Can Sing (takes 10/6 edit RS2?) UK |
|
S |
REVR |
|
|
|
above two might be the same |
|
|
|
|
|
Doctor Robert (take 7 RS1) US |
|
S |
Y&T, REVG |
|
|
|
Doctor Robert (take 7 RS2) UK |
|
S |
REVR |
|
|
|
I'm Only Sleeping (take 13 RS1) US |
|
S |
Y&T, REVG |
|
|
|
I'm Only Sleeping (take 13 RS2) UK |
|
S |
REVR |
|
|
|
|
|
|
|
|
| June 21, 1966 |
STEREO MIXING |
|
|
|
84 |
|
|
Love To You (take 7 RS1-3 edit) SI onto take 6 "Granny
Smith" |
|
S |
REVR |
|
|
|
I Want To Tell You (take 4 RS2?) |
|
S |
REVR |
|
|
|
Here, There and Everywhere (take 14 RS2?) |
|
|
|
|
|
MONO MIXING |
|
|
|
|
|
Doctor Robert (take 7 RM6)
|
|
M |
REVG |
|
|
|
STEREO MIXING |
|
|
|
|
|
For No One (take 14 RS1) |
|
S |
REVR |
|
|
|
Taxman (take 12 RS1/2 edit) |
|
M |
REVR |
|
|
|
|
|
|
|
|
| June 22, 1966 |
STEREO MIXING |
|
|
|
84 |
|
|
Eleanor Rigby (take 15 RS1) |
|
S |
REVR |
|
|
|
She Said She Said (take 4 RS1) |
|
S |
REVR |
|
|
|
Good Day Sunshine (take 1 RS1) |
|
S |
REVR |
|
|
| |
Yellow Submarine (take 5 RS2?) |
|
S |
REVR |
|
|
|
Tomorrow Never Knows (take 3 RS6?) |
|
S |
REVR |
|
|
|
Got To Get You Into My Life (take 9 RS1) |
|
S |
REVR |
|
|
|
|
|
|
|
|
|
STEREO MIXING |
|
|
|
|
| October 31,
1966 |
Paperback Writer (take 2 RS1?) acetate? |
|
S |
HDG1 |
|
|
|
There is some scepticism about this one. I think it sonds
different. |
|
|
|
|
| October 31,
1966 |
Paperback Writer (take 2 RS2?) |
|
S |
PM2 |
86 |
|
| October 31,
1966 |
Paperback Writer (take 2 RS2?) acetate |
|
S |
ACEC |
|
|
| October 31,
1966 |
Paperback Writer (take 2 RS3?) |
|
S |
REVG |
86 |
|
| December 2,
1969 |
Rain (take 7 RS1) SI onto take 5 |
|
S |
PM2 |
|
|
| December 2, 1969? |
Rain (take 7 RS?) SI onto take 5 |
|
S |
UNS3, UC3 |
compare with below |
|
|
|
|
|
|
|
|
Bonus POSTUMOUS MIXES |
|
|
|
|
| ? |
Tomorrow Never Knows (take 3) oops'd? |
|
S? |
UNS3, TAPE |
|
|
|
Being played on LLT should add some validity to this. |
|
|
|
|
| 1982 |
Paperback Writer (take 2 RS?) Barrett mix |
|
S |
TMDM |
|
|
| 1982 |
Rain (take 7) SI onto take 5 Barrett mix |
|
S |
TMDM |
compare with above |
|
|
|
|
|
|
|
| check |
REVG 2-21 paperback RS7!!! |
|
|
|
|
|
EXP rain |
|
|
|
|
|
EXP tomorrow never 4/27/66 |
|
|
|
|
|
EXP sleeping 5/6/66 |
|
|
|
|
|
|
|
|
|
|
|
| ¶ |
|
|
|
|
|
|
|
|
|
|
|
|
SGT. PEPPER'S LONELY HEARTS CLUB BAND |
|
|
|
|
|
|
|
|
|
|
| November 24,
1966 |
|
|
|
|
|
| 1997 |
Strawberry
Fields Forever (take 1) isolated tracks excerpt with GM |
|
M |
|
|
|
|
Strawberry Fields Forever (take 1) |
|
S |
BAD |
|
|
|
|
|
|
|
|
| November 25,
1966 |
|
|
|
|
|
| December 2,
1966 |
Pantomime: Everywhere It's Christmas (takes unknown) |
|
M |
XMAS |
|
|
|
|
|
|
|
|
| November 28,
1966 |
|
|
|
|
|
| 1982? |
Strawberry Fields Forever (take 2) |
|
S |
BAD |
|
|
| 1982? |
Strawberry Fields Forever (take 3) |
BD |
S |
BAD |
|
|
| 1982? |
Strawberry Fields Forever (take 4) |
|
S |
BAD |
|
|
|
|
|
|
|
|
| November 29,
1966 |
|
|
|
|
|
| 1982? |
Strawberry Fields Forever (take 5) |
BD |
S |
BAD |
|
|
| 1982? |
Strawberry Fields Forever (take 6) |
|
S |
BAD |
|
|
| 1982? |
Strawberry Fields Forever (take 7) reduction of take 6, SI
onto take 7 |
|
S |
BAD |
|
|
| November 29,
1966 |
Strawberry
Fields Forever (take 7 RM3) |
|
M |
TMDM |
|
|
| November 29,
1966 |
Strawberry Fields Forever (take 7 RM3) acetate |
|
M |
BAD, ACEC |
87-90, 92, 94, 98, 123,
130-1, 135, 155 |
|
|
|
|
|
|
|
| December 6, 1966 |
|
|
|
|
|
| 1995? |
Christmas Messages (takes unknown) |
|
S? |
FREE |
|
|
| December 29,
1966 |
When I'm 64 (take 4 RM6) natural speed |
|
M |
MTYH3.1(MP3 is stereo)
does this exist |
|
|
When I'm 64 (take 4 RM8?) NOTE CASSETTE from LLT |
|
M |
|
|
| December 30,
1966 |
When I'm 64 (take 4 RM8) |
|
M |
PEPL |
89-92, 108, 114, 122 |
|
|
|
|
|
|
| December 9, 1966 |
|
|
|
|
|
| 1982? |
Strawberry Fields Forever (take 25) edit takes 15/24 SI onto
take 25 |
|
S |
BAD |
|
|
| 1995 |
Strawberry Fields Forever (take 25) excerpt track 2 |
|
M |
ANT2 |
|
|
|
|
|
|
|
|
| December 15,
1966 |
|
|
|
|
|
| 1982? |
Strawberry Fields Forever (take 26) SI onto take 26 |
|
S |
BAD |
|
|
| December 15,
1966 |
Strawberry
Fields Forever (take 26 RM9) |
|
M |
TMDM |
|
|
| December 22,
1966 |
Strawberry Fields Forever (take 7/26 RM12) edit takes 7 RM10
take 26 RM11 |
|
M |
MMT |
|
|
| December 29, 1966? |
Strawberry Fields Forever (take 7/26 RS3?) edit takes 7 RS1
take 26 RS4 |
|
S |
BAD, NIR |
|
|
| December 29,
1966 |
Strawberry Fields Forever (take 7/26 RS5) edit takes 7 RS1
take 26 RS4 |
|
S |
MMT-orig LP |
|
|
|
|
|
|
|
|
| January 9, 1967 |
|
|
|
|
|
| January 9, 1967 |
Penny Lane (take 9) SI onto take 9 - flute and trumpet
rehearsal excerpts - off line |
|
M? |
LOST |
91-4, 98, 120, 131 |
|
|
|
|
|
|
|
| January 12, 1967 |
|
|
|
|
|
| January 12,
1967 |
Penny Lane (take 9 RM8) SI onto take 9 |
|
M |
TMDM |
|
|
|
RM8 is the one Paul took home and decided it needed the Bach
trumpet |
|
|
|
|
|
|
|
|
|
|
| January 17, 1967 |
|
|
|
|
|
| January 17,
1967 |
Penny Lane (take 9 RM9) SI onto take 9 |
|
M |
UNS7, URT1 |
|
|
| January 17,
1967 |
Penny Lane (take 9 RM10) SI onto take 9 |
|
M |
TMDM |
|
|
| January 17,
1967 |
Penny Lane (take 9 RM11) SI onto take 9 - US promo 45 version
- from disc |
|
M |
HDG4 |
|
|
| |
Penny
Lane (take 9) alternate promo video mix |
|
M |
TAPE |
can't find info |
|
| 1995 |
Penny Lane (take 9) "Anthology" mix |
|
S |
ANT2 |
|
|
|
|
|
|
|
|
| January 19, 1967 |
|
|
|
|
|
| 1997 |
A Day In The Life (take 1) isolated tracks with George Martin
voice over |
|
S |
PEPL 1/15 |
93-101, 107, 109, 114,
133, 138, 182 |
|
| 1995 |
A Day In The Life (take 2) excerpts with take 1 intro |
|
M? |
ANT2, PEPL 1/16 |
|
|
|
|
|
|
|
|
|
| January 20, 1967 |
|
|
|
|
|
|
| January 30,
1967 |
A Day In The Life (take 6 RM1) reduction of take 4 - SI onto
take 6 |
|
M |
PEPL 1/17 |
|
|
| January 30,
1967 |
A Day In The Life (take 6 RM1) reduction of take 4 - SI onto
take 6 - acetate |
|
M |
ACE |
|
|
|
Are these really separate? |
|
|
|
|
|
|
|
|
|
|
|
|
| January 25,
1967 |
Penny Lane (take 9 RM14) SI onto take 9 |
|
M |
MMT |
|
|
|
|
|
|
|
|
|
| February 1, 1967 |
|
|
|
|
|
|
| February 2,
1967 |
Sgt Pepper's Lonely Hearts Club Band (take 10 RM1) acetate |
|
M |
ACE |
|
|
| 1987 |
Sgt Pepper's Lonely Hearts Club Band (take 10) isolated tracks
with GM voice-over |
|
S |
PEPrL |
|
|
| November 1,
1967 |
Volume 28:Audience Applause and Atmosphere "Intro To Sgt.
Pepper" (RM21) |
|
M |
LOST-4 |
|
|
| March 6, 1967 |
Sgt Pepper's Lonely Hearts Club Band (take 10 RM3) |
|
M |
PEPrL |
95, 101, 106-7, 114 |
|
|
Includes Volume 6: Applause and Laughter |
|
|
|
|
|
| March 6, 1967 |
Sgt Pepper's Lonely Hearts Club Band (take 10 RS8?) |
|
S |
PEPR |
|
|
|
Includes Volume 6: Applause and Laughter |
|
|
|
|
|
|
Crossfades made on April 7, 1967 |
|
|
|
|
|
| February 8, 1967 |
|
|
|
|
|
|
| 1995 |
Good Morning, Good Morning (take 8) |
|
S |
ANT2 |
95, 97, 99, 102, 108-7, 109, 114 |
|
|
|
|
|
|
|
|
| February 9, 1967 |
|
|
|
|
|
|
| February 21,
1967 |
Fixing A Hole (take 3 RM3/6 edit) |
|
M |
PEPrL |
95, 99, 107-8, 114, 155 |
|
|
|
|
|
|
|
|
| February 10,
1967 |
|
|
|
|
|
|
| 1995 |
A Day In The Life (take 8-11 edit pieces mixed) studio chat |
|
S |
PEPL 1/18, ANT2 |
|
|
|
|
|
|
|
|
|
| February 13,
1967 |
|
|
|
|
|
|
| April 21, 1967 |
Only A Northern Song (takes 3/11 edit RM11) "Not
Known" |
|
M |
LOST, PEPL, CASUAL |
97, 103, 109, 130, 163-4 |
|
| 1995 |
Only A Northern Song (takes 3/12 mix) "Anthology"
mix |
|
S |
ANT2 |
|
|
| ? |
Only A Northern Song (takes 3/12 mix) natural speed |
|
S |
UP G |
|
|
|
|
|
|
|
|
|
| February 16,
1967 |
|
|
|
|
|
|
| 1987 |
Good
Morning, Good Morning (take 11) isolated tracks excerpt with GM |
|
S |
PEPrL |
|
|
| November 1,
1967 |
Animal Effects (RM20) |
|
M |
LOST-3 |
|
|
| April 19, 1967 |
Good Morning, Good Morning (take 11 RM23) |
|
S |
PEPrL |
|
|
|
|
|
|
|
|
|
| February 17,
1967 |
|
|
|
|
|
|
| 1995 |
Being For The Benefit Of Mr. Kite (take 1) |
|
S |
ANT2 |
|
|
| 1995 |
Being For The Benefit Of Mr. Kite (take 2) |
|
S |
ANT2 |
|
|
| 1995 |
Being For The Benefit Of Mr. Kite (take 7) |
|
S |
ANT2 |
|
|
| 1995 |
Being For The Benefit Of Mr. Kite (take 7) proper end |
|
M |
PEPrL |
|
|
| 1995 |
Being For The Benefit Of Mr. Kite (take ) announcement |
|
M |
PEPrL |
|
|
| 1987 |
Being For The Benefit Of Mr. Kite (take 9) isolated tracks
with GM voice-over |
|
S |
PEPrL |
|
|
|
|
|
|
|
|
|
| February 20,
1967 |
|
|
|
|
|
|
| June 17, 1905 |
Being For The Benefit Of Mr. Kite (unnumbered take)
"Anthology" effects mix |
|
S |
ANT2 |
|
|
| March 31, 1967 |
Being For The Benefit Of Mr. Kite (take 9 RM14) |
|
M |
PEPrL |
|
|
|
|
|
|
|
|
|
| February 22,
1967 |
|
|
|
|
|
|
|
A Day In The Life (take 6/7 edit piece 9 edit RM9) |
|
M |
PEPL 2/13 |
|
|
| February 22,
1967 |
A Day In The Life (take 6/7 edit RS4) |
BD |
S |
UNS3, PEPL2/21 |
|
|
| February 22,
1967 |
A Day In The Life (take 6/7 edit RS5) |
BD |
S |
UNS3, PEPL2/21 |
|
|
| February 22,
1967 |
A Day In The Life (take 6/7 edit RS6) |
BD |
S |
UNS3, PEPL2/21 |
|
|
| ? |
A Day In The Life (take 6/7 edit piece 9 edit RS?) |
|
S |
EXP |
|
|
|
This is
similar in mix to the above but sounds really weird. |
|
|
|
|
| 1982 |
A Day In The Life (take 6/7 edit piece 9 edit) Barret mix with
count-in |
|
S |
TMDM, ARVS |
|
|
|
|
|
|
|
|
| February 23,
1967 |
|
|
|
|
|
| February 23,
1967 |
A Day In The Life (take 6/7 edit piece 9 edit RS12) |
|
S |
PEPR |
|
|
| March 21, 1967 |
Lovely Rita (take 11 RM11/14 edit) |
|
M |
PEPrL |
100-1, 104, 108, 114 |
|
|
|
|
|
|
|
| March 1, 1967 |
|
|
|
|
|
| 1987 |
Lucy
In The Sky With Diamonds (take 6) isolated tracks excerpt with GM |
|
S |
PEPrL |
|
|
| 1995 |
Lucy
In The Sky With Diamonds (take 6/8 mix) "Anthology" mix |
|
S |
ANT2 |
|
|
| March 3, 1967 |
Lucy In The Sky With Diamonds (take 8 RM4) |
|
M |
PEPrL |
100-1, 107-8, 114, 130 |
|
|
|
|
|
|
|
| March 9, 1967 |
|
|
|
|
|
| March 23, 1967 |
Getting Better (take 15 RM3) |
|
M |
PEPrL |
|
|
|
|
|
|
|
|
| March 15, 1967 |
|
|
|
|
|
| 1987 |
Within
You, Without You (take 2) isolated tracks excerpt with George Martin
voice |
|
S |
PEPrL |
103-4, 107, 114 |
|
| 1995 |
Within You, Without You (take 2) insumental backing -
"Anthology" mix |
|
S |
ANT2 |
|
|
| April 4, 1967 |
Within You, Without You (take 2 RM10/12 edit) |
|
M |
PEPrL |
|
|
| April 4, 1967 |
Within You, Without You (take 2 RS3/5 edit) |
|
S |
PEPR |
|
|
|
|
|
|
|
|
| March 17, 1967 |
|
|
|
|
|
| March 20, 1967 |
She's Leaving Home (take 9 RM6) |
|
M |
PEPrL |
|
|
|
|
|
|
|
|
| March 29, 1967 |
|
|
|
|
|
| November 1,
1967 |
applause crossfade (RM20) |
|
M |
LOST-5 |
|
|
| March 31, 1967 |
With A Little Help From My Friends (take 11 RM15) "Bad
Finger Boogie" |
|
M |
PEPrL |
101, 106-8, 114, 194 |
|
|
|
|
|
|
|
| April 1, 1967 |
|
|
|
|
|
| 1995 |
Sgt. Pepper's Lonely Hearts Club Band (Reprise) (take 5) |
|
M |
ANT2 |
|
|
| April 1, 1967 |
Sgt. Pepper's Lonely Hearts Club Band (Reprise) (take 9 RM9) |
|
M |
PEPrL |
|
|
|
|
|
|
|
|
|
STEREO MIXING |
|
|
|
|
| April 6, 1967 |
Good Morning, Good Morning (take 11 RS5) |
|
S |
PEPR |
|
|
| April 7, 1967 |
With A Little Help From My Friends (take 11 RS3?) |
|
S |
PEPR |
|
|
|
Being For The Benefit Of Mr. Kite (take 9 RS8?) |
|
S |
PEPR |
|
|
|
Fixing A Hole (take 3 RS1) |
|
S |
PEPR |
|
|
| April 17, 1967 |
Lucy In The Sky With Diamonds (take 8 RS5?) |
|
S |
PEPR |
|
|
|
She's Leaving Home (take 9 RS6?) |
|
S |
PEPR |
|
|
|
Getting Better (take 15 RS1) |
|
S |
PEPR |
|
|
|
When I'm 64 (take 4 RS1) |
|
S |
PEPR |
|
|
|
Lovely Rita (take 11 RS2) |
|
S |
PEPR |
|
|
| April 20, 1967 |
Sgt. Pepper's Lonely Hearts Club Band (Reprise) (take 9 RS10?) |
|
S |
PEPR |
|
|
|
|
|
|
|
|
| April 21, 1967 |
|
|
|
|
|
| April 21, 1967 |
Edit For LP End (take 1) "Sgt. Pepper Inner Groove" |
|
M |
PEPrL |
|
|
|
|
|
|
|
|
|
"BREAKDOWN" John and Ringo dialog |
|
M |
LOST |
|
|
|
|
|
|
|
|
|
Bonus POSTUMOUS MIXES |
|
|
|
|
| 1995 |
Strawberry Fields Forever (take 1) "Antlology" mix |
|
S |
ANT2 |
|
|
| 1995 |
Strawberry Fields Forever (take 7 RM3) "Antlology"
mix |
|
M |
ANT2 |
|
|
| 1982 |
Strawberry Fields Forever (take 1) Barrett mix excerpt |
|
S |
ARVS |
|
|
| 1982 |
Strawberry Fields Forever (take 7) Barrett mix excerpt |
|
M? |
ARVS |
|
|
| 1982 |
Strawberry Fields Forever (take 26) Barrett mix excerpt |
|
M? |
ARVS |
|
|
| 10/26/1971 |
Strawberry Fields Forever (take 7/26 RS5) edit takes 7 RS1
take 26 RS4 |
|
S |
MMT, BLUE, CASUAL |
|
| ? |
When I'm 64 (take 4 RS1?) natural speed |
|
S |
UP G |
|
|
| September 30,
1971 |
Penny Lane
(take 9 RS1?) SI onto take 9 |
|
S |
MMT, BLUE |
|
|
| 1982 |
Penny Lane (take 9) SI onto take 9 - Barret mix |
|
S |
TMDM |
|
|
| 1982 |
Penny Lane (take 9) SI onto take 9 - alternate Barret mix? |
|
S |
ARVS |
|
|
| 1988 |
A Day In The Life (take 7) without crossfade |
|
S |
IMAG, BLUE |
|
|
| October 29,
1968 |
Only A Northern Song (takes 3/11 edit RS1 made from RM6)
"Not Known" |
|
S |
YSUB |
|
|
| November 1,
1967 |
Lucy In The Sky With Diamonds (take 8 RM20) |
|
M |
LOST |
|
|
|
|
|
|
|
|
| ¶ |
|
|
|
|
|
|
|
|
|
|
|
|
MAGICAL MYSTERY TOUR |
|
|
|
|
|
|
|
|
|
|
| April 25, 1967 |
|
|
|
|
|
| April 27, 1967 |
Magical Mystery Tour (take 9 RM4) very scratchy acetate |
|
M |
MP3 ("Backyard
Spool" Masterdisc) |
|
| May 4, 1967 |
Magical Mystery Tour (take 9 RM7) |
|
M |
PEPL |
110-1, 127, 130-1 |
|
| May 4, 1967 |
Magical Mystery Tour (take 9 RM7?) with additional vocals |
|
M |
orig film |
|
|
|
|
|
|
|
|
| May 11, 1967 |
|
|
|
|
|
| May 11, 1967 |
Baby You're A Rich Man (take 2 RM1) reduction take 12 |
|
M |
PEPL, MMT |
111, 121, 131, 151 |
|
|
|
|
|
|
|
| May 12, 1967 |
|
|
|
|
|
| May 12, 1967 |
All Together Now (take 9 RM6) |
|
M |
LOST |
112, 130, 163-4 |
|
|
|
|
|
|
|
| May 17, 1967 |
|
|
|
|
|
| November 26,
1969 |
You Know My Name (Look Up The Number) (take 30 RM4) 4:19 |
|
M |
PM2, MJ? |
112, 116, 175, 194, 196 |
|
| 1995 |
You Know My Name (Look Up The Number) 5:43 |
|
S |
ANT2 |
|
|
| ? |
You Know My Name (Look Up The Number) 5:37 bootleg
reconstruction |
|
S/M |
HDG3, GBM |
|
|
| ? |
You Know My Name (Look Up The Number) 6:08 bootleg
reconstruction |
|
S/M |
UP G |
|
|
|
see also 6/7-9/67(backing), 4/30/69 (vocals, etc.), 11/26/69
(editing) |
|
|
|
|
| May 25, 1967 |
|
|
|
|
|
| June 2, 1967 |
It's All Too Much (take 2) isolated tracks - oops'd? |
|
M |
EXP |
|
|
| October 12,
1967 |
It's All Too Much (take 2 RM1) reduction of take 4 - SI onto
take 2 |
|
M |
LOST |
112, 116, 128, 130, 162, 164 |
|
| ? |
It's All Too Much (take 2 RM1) reduction of take 4 - SI onto
take 2 - movie edit |
|
M |
FILM |
|
|
|
|
|
|
|
|
| June 14, 1967 |
|
|
|
|
|
| June 25, 1967 |
All You Need Is Love (take ?) excerpt |
BD? |
M |
ANT |
116-7, 120-1, 130-1, 163-4 |
|
| June 25, 1967 |
All You Need Is Love (take 57?) excerpt "Our World"
telecast |
|
M |
UNS3 |
|
|
| June 25, 1967 |
All You Need Is Love (take 58) "Our World" telecast |
|
M |
UNS3 |
|
|
| June 26, 1967 |
All You Need Is Love (take 58 RM4) SI onto take 58 |
|
M |
PEPL, MMT |
|
|
|
|
|
|
|
|
| August 22, 1967 |
|
|
|
|
|
| August 23, 1967 |
Your Mother Should Know (take 9) NFS &
ACE, et al have diff endings/ck UP G |
|
|
NFS, ACE, MMD, MP3, UP G |
122, 126, 128, 130-1 |
|
| October 2,
1967 |
Your Mother Should Know (take 52 RM25) reduction take 9 SI
onto take 52 |
|
M |
MMT |
|
|
|
|
|
|
|
|
| September 5,
1967 |
|
|
|
|
|
| September 5,
1967 |
I Am The Walrus (take 7) off-line |
BD |
M |
MON |
122-3, 126-8, 130-1, 155 |
|
| September 5,
1967 |
I Am The Walrus (take 8) off-line |
BD |
M |
MON |
|
|
| September 5,
1967 |
I Am The Walrus (take 9) off-line |
|
M |
MON |
|
|
|
|
|
|
|
|
| September 6,
1967 |
|
|
|
|
|
| 1995 |
I Am The Walrus (take 17) reduction take 16 SI onto take 17 |
|
S |
ANT2 |
|
|
| September 6,
1967 |
I Am The Walrus
(take 17 RM4) acetate |
|
M |
CASUAL, ACE, MMD |
|
| September 6,
1967 |
I Am
The Walrus (take 17 RM4) different acetate |
|
M |
HDG1 |
|
|
| 1995? |
The Fool On The Hill (take 1) demo |
|
M |
ANT2 |
123, 126-7, 129-31, 155 |
|
| September 6,
1967 |
The Fool On The Hill (take 1) demo - acetate |
|
M |
ACE, MMD |
|
|
| October 12,
1967 |
Blue Jay Way (take 3 RM6/9 edit) possibly RM1 9/16/67? |
|
M |
EXP |
123, 126, 128, 130-1 |
|
| October 12,
1967 |
Blue Jay Way (take 3 RM6/9 edit) acetate |
|
M |
ACE |
|
|
|
Blue Jay Way (take 3 RM6/9 edit) acetate
FAKE? |
|
S |
ACEC |
|
|
|
Blue Jay Way (take 3
RM6/9 edit) |
|
S |
TAPE |
|
|
|
Blue Jay Way (take 3
RM6/9 edit) |
|
S |
EMI |
|
|
|
|
|
|
|
|
| September 8,
1967 |
|
|
|
|
|
| September 8,
1967 |
Flying
(take 8 RM4) reduction take 6 SI onto take 8
"Aerial Tour Instrumental" |
|
M |
UNS3, MMD |
123, 127, 130-1 |
|
|
|
|
|
|
|
| September 16,
1967 |
|
|
|
|
|
| 1995 |
Your Mother Should Know (take 27) |
|
S |
ANT2 |
|
|
|
|
|
|
|
|
| September 25,
1967 |
|
|
|
|
|
| September 25,
1967 |
The Fool On The Hill (rehearsal) "the Rumi Tape" |
|
M |
EXP |
|
|
| September 25,
1967 |
The Fool On The Hill (take 4 RM1) reduction take 3 SI onto
take 4 |
|
S |
ANT2 |
123, 126-7, 129-31, 155 |
|
|
|
|
|
|
|
| September 26,
1967 |
|
|
|
|
|
| October 25,
1967 |
The Fool On The Hill (take 6 RM12) |
|
M |
MMT |
|
|
|
|
|
|
|
|
| September 28,
1967 |
|
|
|
|
|
| September 28,
1967 |
Flying
(take 8 RM6) SI onto take 8
"Aerial Tour Instrumental" |
|
M |
HDG2, UC1 |
123, 127, 130-1 |
|
| September 28,
1967 |
Flying (take 8 RM6) edited |
|
M |
MMT |
|
|
|
|
|
|
|
|
| September 29,
1967 |
|
|
|
|
|
| September 29,
1967 |
The Tragedy Of King Lear (Act IV Scene VI) |
|
M |
MP3 |
|
|
| September 29,
1967 |
I Am The Walrus (take 17/25 RM23 edit RM10/22) US single 4
beat middle |
|
M |
HDG4 |
122-3, 126-8, 130-1, 155 |
|
| September 29,
1967 |
I
Am The Walrus (take 17/25 RM23 edit RM10/22) UK EP |
|
M |
MMT |
|
|
| September 29,
1967 |
I Am The Walrus (take 17/25 RM23 edit RM10/22) US LP different
4 beat edit |
|
M |
MMT |
|
|
|
|
|
|
|
|
| October 2, 1967 |
|
|
|
|
|
| 1982? |
Hello Goodbye (take 1) "Hello, Hello" |
|
|
UNS3 |
128-31 |
|
| 1995 |
Hello Goodbye (take 16) |
|
|
ANT2 |
|
|
|
|
|
|
|
|
|
STEREO/MONO MIXING |
|
|
|
|
| November 1,
1967 |
All You Need Is Love (take 58 RM11) |
|
M |
LOST |
|
|
| November 1,
1967 |
The Fool On The Hill (take 6 RS5) |
|
S |
MMT |
|
|
| November 2,
1967 |
Hello Goodbye (take 22 RM6) |
|
M |
MMT |
|
|
| November 6,
1967 |
Hello Goodbye (take 22 RS2?) |
|
S |
MMT |
|
|
| November 6,
1967 |
I Am The Walrus (take 17 RS6/7 edit) ? |
|
S |
EXP |
|
|
| November 6,
1967 |
Your Mother Should Know (take 52 RS2?) |
|
S |
MMT |
|
|
| November 6,
1967 |
Magical Mystery Tour (take 9 RS4?) acetate |
|
S |
ACE |
110-1, 127, 130-1 |
|
| November 7,
1967 |
Flying (take 8 RS1) edited |
|
S |
MMT |
|
|
| November 7,
1967 |
Blue Jay Way (take 3 RM27) |
|
M |
MMT |
123, 126, 128, 130-1 |
|
| November 7,
1967 |
Blue Jay Way (take 3 RS12) |
|
M |
MMT |
|
|
| November 7,
1967 |
Magical Mystery Tour (take 9 RS6) SI onto RS4 |
|
M |
MMT |
|
|
| November 7,
1967 |
Magical Mystery Tour (take 9 RM10) SI onto RM7 |
|
M |
MMT |
|
|
| November 6/17, 1967 |
I Am The Walrus (take 17 RS25/7 edit) |
|
S |
MMT |
|
|
|
|
|
|
|
|
| November 28,
1967 |
|
|
|
|
|
| November 28,
1967 |
Christmas Time Is Here Again (take 1) off-line |
|
M |
XMAS |
131 |
|
| November 29,
1967 |
Christmas Time Is Here Again 1967 |
|
M |
XMAS |
|
|
|
|
|
|
|
|
|
BONUS POSTUMOUS MIXES |
|
|
|
|
| October 16,
1968 |
It's All Too Much (take 196 RS1) |
|
S |
YSUB |
|
|
| October 29,
1968 |
All Together Now (take 9 RS1) |
|
S |
YSUB |
|
|
| October 29,
1968 |
All You Need Is Love (take 58 RS6?) |
|
S |
YSUB |
|
|
| October 22,
1971 |
Baby You're A Rich Man (take 2 RS?) |
|
S |
MMT |
|
|
| 1980 |
I Am The Walrus |
|
S |
RARITIES-US |
|
|
| 1982 |
Hello Goodbye (take 22) Barrett mix |
|
S |
TMDM, ARVS |
|
|
| 1982 |
Christmas Time Is Here Again (take 1) "Sessions" mix |
|
S |
SESS |
131 |
|
| 1988 |
Magical Mystery Tour (take 9 RS?) |
|
S |
MMD, FILM |
|
|
|
CHECK ALL 1988 FILM MIXES |
|
|
|
|
| 1995 |
Christmas Time Is Here Again (take 1) "Anthology"
mix |
|
S |
ANT2 |
131 |
|
|
"WALRUS" all CDs done …. CHECK TAPE |
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
| January 12, 1968 |
|
|
|
|
|
| February 8,
1968 |
The Inner Light (take 5 or 6) off-line |
|
M |
AWOA |
132-4, 196 |
|
| February 8,
1968 |
The Inner Light (take 6 RM4) |
|
M |
45-US |
|
|
|
|
|
|
|
|
| February 3, 1968 |
|
|
|
|
|
| ? |
Lady Madonna (take 2?) |
BD |
S? |
UNS4 |
132-4, 146, 153, 155,
170-1, 194 |
|
|
Note this comes from the stereo mixing session listed below. |
|
|
|
|
| 1995 |
Lady Madonna (take 3) left channel of "Anthology"
mix |
|
M |
ANT2 |
|
|
| ? |
Lady Madonna (take 3 or 4?) |
|
S |
UNS7 |
|
|
| 1995 |
Lady Madonna (take 5) SI onto take 5 - right channel of
"Anthology" mix |
|
M |
ANT2 |
|
|
| ? |
Lady Madonna (take 5) stereo mixing session |
BDs |
S |
UNS4 |
|
|
| ? |
Lady Madonna (take 5) stereo mixing session |
|
S |
UNS4 |
|
|
|
The above two items ar a
mystery. They are obviously from a stereo mixing session but the complete mix |
|
|
|
sounds nothing like
either the finished December 2, 1969 master or John Barrett's mix for the
ARVS. |
|
|
|
They are included in
this position because of the ambient studio sound available nowhere else. |
|
|
| 1982 |
Lady Madonna (take 5) Barrett mix |
|
S |
TMDM, ARVS, HDG3 |
|
| 1982? |
Lady Madonna (take 5) off-line possibly from ARVS |
|
M |
DIG |
|
|
| February 15,
1968 |
Lady Madonna (take 5 RM10?) |
|
M |
45-US |
|
|
|
|
|
|
|
|
| February 4, 1968 |
|
|
|
|
|
| Feburary 4, 1968? |
Across The Universe (take 2) off-line with track isolation |
|
M |
MON |
133-5, 164, 193, 195-9 |
|
| 1995 |
Across The Universe (take 2) "Anthology" mix |
|
S |
ANT2 |
|
|
| Feburary 4, 1968? |
Across The Universe (take 8) reduction take 7 SI onto take 8 -
"Hums Wild" |
|
S? |
REV, UNS4 |
|
|
| October 2, 1969 |
Across The Universe (take 8 RS2?) "World Wildlife
Fund" mix |
|
S |
PM2 |
|
|
| ? |
Across The Universe (take 8) "World Wildlife Fund"
mono mix |
|
M |
45 |
|
|
|
This
has the bird effects but no female vocals.
None of my major references refer to this mono mix but I |
|
|
have
seen a reference to a Brazil mono single. |
|
| ? |
Across The Universe (take 8) acetate |
|
S |
HDG4, DIG, ACEC |
|
|
|
Many scholars feel this
is Glun Johns' mix. It's certainly very close. Lewisohn does not mention any
stereo |
|
|
|
mixes except for the
"Get Back" album and it is unlikely they would have made a stereo
acetate in 1968. |
|
|
| January 5, 1970 |
Across The Universe (take 8 RS3) Glyn Johns' "Get
Back" mix |
|
S |
GB2 |
|
|
| April 2, 1970 |
Across The Universe (take 9 reduction take 8 RS13) SI onto
take 9 |
|
S |
LIB |
|
|
|
Across The Universe (take 8) oops'd WHICH
VERSION? |
|
M |
MP3 |
|
|
|
|
|
|
|
|
| February 11,
1968 |
|
|
|
|
|
| February 11,
1968 |
Hey Bulldog (take 10 RM2?) |
|
M |
LOST |
134, 163-4 |
|
| October 29,
1968 |
Hey Bulldog (take 10 RS3?) |
|
S |
YSUB |
|
|
|
|
|
|
|
|
|
Bonus POSTUMOUS MIXES |
|
|
|
|
| December 2,
1969 |
Lady Madonna (take 5 RS1) |
|
S |
PM2 |
|
|
| January 27,
1970 |
The Inner Light (take 6 RS1) |
|
S |
PM2 |
|
|
| |
Hey Bulldog (take 10 RS?) |
|
S |
YSONG |
|
|
|
Across The Universe (take 8) WWF mix speed corrected |
|
|
UP G |
|
|
|
Across The Universe (take 9 RS13?) LIB mix speed corrected |
|
|
UP G |
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE BEATLES (a.k.a. "THE WHITE ALBUM") |
|
|
|
|
|
|
|
|
|
|
| May 30, 1968 |
|
|
|
|
|
| June 4, 1968 |
Revolution 1 (take 20) playback |
|
M |
KINF1 |
135-6, 139, 141-3, 147,
152-3, 160 |
|
|
Revolution 1 (take 20) playback |
|
M |
KINF2, REV, WHT |
exp, rev, wht 23.33 |
|
|
jamming |
|
M |
KINF3 |
|
|
|
jamming |
|
M |
KINF4 |
|
|
|
Revolution 1 (rehearsal and jamming) |
|
M |
KINF5 |
|
|
|
Revolution 1 (rehearsal and jamming) |
|
M |
KINF6, REV, WHT |
|
|
|
Revolution 1 (rehearsal and jamming) |
|
M |
KINF7 |
|
|
|
Revolution 1 (take 20) SI onto take 20 |
|
M |
KINF8, REV, WHT |
|
|
|
jamming with John & Yoko dialog |
|
M |
KINF9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| June 5, 1968 |
|
|
|
|
|
| 1995 |
Don't Pass Me By (take 3/5) "Anthology" composite
mix |
|
S |
WHT, ANT3 |
137, 142, 144, 161, 163 |
|
|
"Ringo's Tune (Untitled)", "This is Some
Friendly" |
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| June 5, 1968 |
Don't Pass Me By (take 3) excerpt of true end |
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M |
WHT, ANT |
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| ? |
Don't Pass Me By (take 7 edit piece 4 RM?) extended -
"Peter Sellers Tape" |
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M |
WHT, PETE |
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The bass thump in the intro shows this is NOT RM1 before
editing. |
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| June 6, 1968 |
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| June 6, 1968 |
Kenny Everett Interview |
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AKB, ACEC |
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Includes: Cottonfields, Goodbye To Kenny Everett, Goodbye
Kenny, |
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Tiny Tim For President, Strawberry Fields Forever |
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| June 11, 1968 |
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| June 11, 1968 |
Blackbird (rehearsal) excerpt |
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M |
WHT |
137, 147, 151, 161-3 |
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| June 11, 1968 |
Blackbird/Congradulations (rehearsal) |
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WHT |
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| June 11, 1968 |
Blackbird (rehearsal) excerpts, breakdowns and dialogue |
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WHT |
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| June 11, 1968 |
Helter Skelter/"Gone Tomorrow, Here Today" (acoustic impromptu) with dialogue |
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WHT |
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| June 11, 1968 |
Blackbird (rehearsal) excerpts, breakdowns and dialogue |
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WHT |
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| June 11, 1968 |
Mother Nature's Son (impromptu) |
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WHT |
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| June 11, 1968 |
Blackbird (rehearsal) excerpts, breakdowns and dialogue |
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WHT |
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| June 11, 1968 |
harmonium improv |
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M |
WHT |
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| June 11, 1968 |
Blackbird (rehearsal) excerpts, breakdowns and dialogue |
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WHT |
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| June 11, 1968 |
Blackbird (take 4) |
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WHT, ANT3 |
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| June 11, 1968 |
Blackbird (take 32 RM6) no bird sounds |
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M |
WHT, PETE |
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Some Beatles scholars
speculate that the rehearsals were taped June 13. However, based on the
dialogue |
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with
George Martin, the arrangement is being worked out. Why would they trouble if
the master had |
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already
been finished? Also, it would seem possible that some of these excerpts might
be some of the |
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32 takes. |
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| June 20-25, 1968 |
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| June 21, 1968 |
Revolution 9 (RS1?) mono acetate |
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M |
WHT, REV, ACEC |
92, 135, 137-9, 148,
150-1, 154-5, 162-3 |
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| June 25, 1968 |
Revolution 9 (RS2) |
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WHTLP |
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| June 26, 1968 |
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| July 12, 1968 |
Everybody's Got Something To Hide Except For Me And My Monkey
(take 12 RM5) |
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M |
HDG3 |
139, 144, 161-3 |
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untrimmed acetate |
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| July 12, 1968 |
Everybody's Got Something To Hide Except For Me And My Monkey
(take 12 RM5) |
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M |
WHT, PETE |
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| June 28, 1968 |
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| 1995 |
Good Night (rehearsal) excerpt |
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M |
WHT, ANT3 |
139-40, 144, 161, 163 |
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| 1995 |
Good Night (rehearsal or take?) spoken intro |
BD |
M |
WHT, ANT |
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| July 3, 1968 |
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| 1995 |
Ob-La-Di, Ob-La-Da excerpt |
BD? |
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WHT, ANT |
140-3, 151, 155, 161, 163 |
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Ob-La-Di, Ob-La-Da (take 5) |
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WHT, ASES, UNS7 |
muddy |
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Ob-La-Di, Ob-La-Da (take 5) |
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UNS6, UC1 |
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